A tasty, throwback treat of a guitar on every level, the Gibson Original Collection Les Paul Standard '60s six-string come decked out in a sleek Sparkling Burgundy paint job. Beyond the Gibson-grade looks, this single-cut model more than brings the sonic goods, where the solid mahogany body has been loaded with a two-piece set of Gibson Burstbucker 61 pickups. Each humbucker boasts an Alnico V magnet core that guarantees powerful and flexible, full-range sound. The Gibson Original Collection Les Paul Standard '60s comes complete with a form-fitting hardshell case.The Gibson Les Paul Standard '60s: Authentic PlayabilitySince the old score is usually the best, the mahogany neck of this Gibson LP has been given a Slim Taper profile, which couples with a rosewood fretboard with a 12 inch radius and a set of twenty-two medium jumbo frets to complete light and nimble, authentic playability all the way up the neck. Modern tweaks come in the form of a set of Grover Rotomatic machine heads finished with Kidney tuning buttons and a Graph Tech nut, polishing off progressive tuning stability, while the Gibson ABR-1 Tune-O-Matic bridge lays down some outstanding resonance and extra-long sustain.

A tasty, throwback treat of a guitar on every level, the Gibson Original Collection Les Paul Standard '60s six-string come decked out in a sleek and minimal Solid Pelham Blue paint job. Beyond the Gibson-grade looks, this single-cut model more than brings the sonic goods, where the solid mahogany body has been loaded with a two-piece set of Gibson Burstbucker 61 pickups. Each humbucker boasts an Alnico V magnet core that guarantees powerful and flexible, full-range sound. The Gibson Original Collection Les Paul Standard '60s comes complete with a form-fitting hardshell case.The Gibson Les Paul Standard '60s: Authentic PlayabilitySince the old score is usually the best, the mahogany neck of this Gibson LP has been given a Slim Taper profile, which couples with a rosewood fretboard with a 12 inch radius and a set of twenty-two medium jumbo frets to complete light and nimble, authentic playability all the way up the neck. Modern tweaks come in the form of a set of Grover Rotomatic machine heads finished with Kidney tuning buttons and a Graph Tech nut, polishing off progressive tuning stability, while the Gibson ABR-1 Tune-O-Matic bridge lays down some outstanding resonance and extra-long sustain.

Since it was first unveiled in the '60s, the VOX Phantom has carved out its own little niche in the electric guitar landscape. Ultra-small, this reissue of an iconic mini-model has a total length of just 81 centimetres, making it ideal for growing beginners or roaming guitarists and, for good measure, it comes pre-wrapped in its own form-fitting gig bag.The VOX Mark V Mini: Tight PlayabilityThe VOX Mark V Mini has a super-short 18.75 inch scale length which has been matched with a standard 42mm-wide nut, reducing reach when grabbing chords and licks but providing plenty of space to move for both the fret and playing hand. The relatively thick .011 to .054 gauged strings that come pre-installed polish off all the benefits of a short-scale model with the controlled and accurate feel of standard string tension, so this guitar can be tuned up in E-standard with no issues. Meanwhile, the solid poplar body comes equipped with a pair of single-coil pickups that deliver unmistakable, sixties-flavoured bite and growl.

Built with studio legend Larry Carlton's favourite specs in mind, the Sire S3L SSS features a comfortably contoured mahogany body, a bolt-on hard maple neck and a dark rosewood fretboard for a warm core sound with the perfect amount of treble-range bite. As the name suggests, this left-handed ST-style solid-body guitar has been loaded with three single-coils, which combine with two tone pots and a single volume control so you can dial in a broad selection of vintage-esque sounds. Sire and Carlton have even opted for a modern two-point tremolo bridge with six block saddles to support pitch-bends and other sound-warping tricks.

Joining forces with Sire, legendary session guitarist, Larry Carlton present the modern playability and classic style of the T7. This TE-model comes loaded with a generous fistful of welcome upgrades, so the traditional foundation laid down by the alder body is strengthened by a stable roasted maple neck, where the edges of the rosewood fretboard have been thoughtfully rounded off for an even smoother feel beneath the fret-hand; and the lower cutaway has been comfortably contoured to grant easier access to the highest frets. To maintain that authentic, delicious T-esque twang while adding a brutal edge, a pair of Alnico 5 T7 single-coil pickups have been mounted. Couple that with a Vintage T-Style bridge loaded with three brass saddles, and you're treated to a faithful TE-monster with a modern twist.

The Prime P2 marks the next step in the Mooer Prime Series. This multi-effects loader and audio interface in one is essentially a complete guitar rig that practically fits in your pocket. Besides an updated design and various little refinements compared to its predecessors, the Prime P2 features 52 guitar amp and 25 guitar cabinet simulations, plus 10 slots for GNR, GIR or 3rd Party IRs, and no less than 57 effects to choose from. Whether you want to take a more traditional route or go off the beaten path, this multi-effects processor will get you where you want to go.The Prime P2: Rhythmic Back-Up & 80 Custom Amp and Effect PresetsBacked up by powerful digital algorithms, the Mooer Prime P2 not only puts rich modulation, stereo delays and reverb at your disposal, but can be linked to the Tone Cloud where you can download and share sounds. And, if you download the free Prime App, you get 80 user preset slots for storing your favourite, self-made sounds. The effects chain can be configured to taste and, providing rhythmic support, Mooer have integrated an 80-second looper along with room for saving up to ten 8-minute loops that can be easily synchronised with the one of the 56 available drum grooves.Practical FeaturesThe Prime P2 doubles as a USB-C audio interface and comes loaded with a rechargeable battery that lasts up to five hours on a full charge. Compatible with electric guitars and basses, this multi-effects loader has been finished with a stereo mini-jack headphone output that supports headphones with a built-in microphone, while Bluetooth 5.0 gives you the option to connect a Mooer F-Series wireless footswitch (not included).

The next step in the crazy-popular Zoom MultiStomp line-up, the MS-50G+ multi-effect pedal stacks up a mass of effects, preamp modelling and Multi-Layer Impulse Responses. In total, you're getting 100 memory patches, including 15 user presets and 85 factory presets to help get you started. In terms of effects, you get 100 different flavours to choose from, so you can colour in your sound with everything from modulation effects like chorus, to thick overdrives and distortions, various reverbs and delays and everything in between. Up to six effects can be chained and engaged at the same time, and by using both of the two fitted jack outputs, this pedal can even spit stereo effects.The Zoom MS-50G+: Masses of Sounds + Deep ControlJust like the previous models, this MultiStomp offering has somehow been crammed inside a super-compact box. And, while pretty trim, all of the controls needed for selecting, configuring and fine-tuning your sounds have been provided and are accessed via the 160 x 128 dot-matrix LCD display screen. Using the Cross Key switches, you can access various functions while playing and, as well as standard tuning, the built-in chromatic tuner supports alternative drop and open tunings. With the help of the Guitar Lab iOS app, you can even upload and download your favourite amplifier emulations, effects and artist patches via the fitted USB-C port and, for maximum freedom and convenience, the Zoom MS-50G+ can be powered with a standard 9 Volt DC power supply or with just two AA batteries.

The chromatic RockBoard StageTuner ST-02 Rack Tuner can either be installed in any standard 19 inch rack or mounted onto a RockBoard pedalboard via a set of Type-M Quickmount adapters. The large and easy-to-read front display is clearly visible from metres away while the true-bypass design ensures zero signal colouring. To support flexible rig integration or even two instruments, a jack input has been fitted on both the front and rear panels while the frequency range can be set anywhere between 432 and 445Hz in 1Hz steps, and the wide detection range spans B-1 (15.44Hz) to C8 (4,186.0Hz), making tuning instruments with a wider range or lower tuning even easier. Next to a Standard display mode, where arrows indicate the pitch, the StageTuner also features a Strobe mode.

Ibanez presents the TWP10 Twin Peaks: a wah pedal like no other since. While most wah pedals feature a single peak, the Twin Peaks literally features a two-peak filter that effects both the higher register and the lower register - all thanks to the dual internal inductor circuits. Via the Balance pot on the side, the peaks can be blended and the of higher and lower frequency resonance can be adjusted to customise the output.The Ibanez TWP10 Twin Peaks: Double it Up!The Tone mode switch sets where the sweep emphasis lies. Set it to High, and the trebles range from 670Hz to 3kHz and the basses range between 300Hz and 1kHz. Set to Low, and the trebles swing between 440Hz and 2kHz while the basses sweep from 220Hz to 750Hz. Then, tweak the Master Level pot to accurately set the effect volume, balancing it with your dry sound, or pushing it up by a good +6 decibels. Basically, if you want even more out of your wah, the Ibanez TWP10 Twin Peaks is going to give it. Run this pedal via a single 9 Volt battery or a standard 9 Volt power supply.