Full and powerful sound guaranteed by an all-solid construction and dreadnought body, as well as a built-in Fishman Sonitone preamp system, the D'Angelico Excel Series Bowery electro-acoustic is built for studio as well as stage work. Unplugged or amplified, the combo of a solid Sitka spruce soundboard and solid mahogany back and sides sets you up with lush and versatile sound that packs just the right level of definition for finger-picking as well the tonal depth demanded by strumming techniques. Gig bag included.The D'Angelico Excel Bowery: A Detailed BuildOne look at this single-cutaway electro-acoustic lets you know the level of thought that's gone into the build. From the signature D'Angelico style headstock shape and mother-of-pearl logo inlay to the set of gilded Grover 109 Super Rotomatic machine heads. Less obvious but just as essential, is the comfy C-profile carve and satin gloss finish of the mahogany neck, and the fast and flat radius of the dark ebony fretboard. Naturally, the mother-of-pearl Small Diamond position markers polish everything off with deluxe style.

Full and powerful sound guaranteed by an all-solid construction and dreadnought body, as well as a built-in Fishman Sonitone preamp system, the D'Angelico Excel Series Bowery electro-acoustic is built for studio as well as stage work. Unplugged or amplified, the combo of a solid Sitka spruce soundboard and solid mahogany back and sides sets you up with lush and versatile sound that packs just the right level of definition for finger-picking as well the tonal depth demanded by strumming techniques. Gig bag included.The D'Angelico Excel Bowery: A Detailed BuildOne look at this single-cutaway electro-acoustic lets you know the level of thought that's gone into the build. From the signature D'Angelico style headstock shape and mother-of-pearl logo inlay to the set of gilded Grover 109 Super Rotomatic machine heads. Less obvious but just as essential, is the comfy C-profile carve and satin gloss finish of the mahogany neck, and the fast and flat radius of the dark ebony fretboard. Naturally, the mother-of-pearl Small Diamond position markers polish everything off with deluxe style.

Bringing the full and rich foundation and impressive sustain of an all-solid construction, the D'Angelico Excel Series Lexington Dreadnought electro-acoustic keeps things performance-ready and professional. The body is built from a solid Sitka spruce soundboard, a solid mahogany back and solid mahogany sides: a tried-and-true recipe for wide-range, versatile acoustic sound. Finished with a high-grade Fishman Sonitone preamp and pickup system, this guitar can be plugged in on stage or in the studio. Form-fitting gig bag included. The D'Angelico Excel Lexington Dreadnought: Pro-Grade PlayabilityThe playability of this model is just as impressive as the sound. The mahogany neck has been given a classic C-profile for a snug feel in the fret-hand, while the dark ebony fretboard is navigated with smooth ease thanks to a set of mother-of-pearl 'Small Diamond' position markers. Add on the flat 16 inch fretboard radius, the stable dovetail neck binding and scarf join and two-way truss rod and you know you've got an ultra-reliable stage buddy in your hands. Add on the smaller but no less important details like the set of gilded Grover 109 Super Rotomatic machine heads, the inlaid mother-of-pearl D'Angelico logo on the headstock, and the ebony 'Skyscraper' truss rod cover, and you've got something really special.

Le Supro 1612RT Amulet est un combo guitare 1x10 avec une réverbe et un vibrato à lampes. Cet ampli guitare à la sonorité vintage est spécialement conçu pour les guitaristes se produisant sur scène. Vous disposez d'un atténuateur de puissance qui vous permet de choisir entre 1, 5 ou 15 watts. Vous pouvez donc profiter du son chaleureux des lampes à n'importe quel volume. Le son est diffusé par un haut-parleur Celestion Creamback de 10 pouces fabriqué au Royaume-Uni. L'Amulet délivre une quantité surprenante de gain pour un ampli de style vintage, mais cela vous permet de trouver le point idéal avec facilité, même à faible volume.1612RT Amulet : combo polyvalentLe préampli de l'Amulet offre un son clair et chaleureux. Tournez le volume au-delà du niveau moyen et vous pouvez compter sur ce crunch typique de Supro. L'ampli de puissance utilise une lampe 6L6. Cet ampli de classe A offre alors également un son de base riche avec une compression naturelle à lampes. Grâce à l'atténuateur, vous pouvez utiliser ce combo à lampes dans votre chambre (1 W), en studio (5 W) et sur scène (15 W). Quel que soit le réglage que vous choisissez, ce Supro répond parfaitement à la dynamique de votre jeu, et ce, avec le moins de bruits indésirables possible.

While the Player edition of the Fender Acoustasonic Jazzmaster is a touch more affordable, it still comes loaded with an Acoustasonic Shawbucker Magnetic pickup that was designed exclusively by Mr. Tim Shaw himself, an Under-Saddle piezo and a tasty stack of voicings. The neat three-way switch and Blend pot scroll through six different sonic flavours, so this true all-rounder of a six-string can be flipped between two acoustic guitar emulations; two piezo-based variations; and clean or high-gain Shawbucker-driven electric guitar sound or a mix of both. Beyond inspiring, the Acoustasonic Player Jazzmaster comes wrapped up in its own Deluxe 1225 gig bag.The Fender Acoustasonic Player Jazzmaster: Trusted Build Quality, Fender Playability & Solid TuningThe soundboard has been carved from a slice of solid A-grade spruce and features a specially developed WaterFall Sound Port soundhole while the back and sides are made from solid A-grade mahogany to match the bolt-on mahogany neck. Full-on Fender playability is supplied by the snug and agile feel of the deep-C neck profile, 12 inch fretboard radius and twenty-two narrow-tall frets, and since the nut, saddle and bridge pins are all made from Graph Tech TUSQ and the headstock has been finished with a set of modern Fender machine heads, you're assured of outstanding tuning stability and maximum vibrational transfer.

While the Player edition of the Fender Acoustasonic Jazzmaster is a touch more affordable, it still comes loaded with an Acoustasonic Shawbucker Magnetic pickup that was designed exclusively by Mr. Tim Shaw himself, an Under-Saddle piezo and a tasty stack of voicings. The neat three-way switch and Blend pot scroll through six different sonic flavours, so this true all-rounder of a six-string can be flipped between two acoustic guitar emulations; two piezo-based variations; and clean or high-gain Shawbucker-driven electric guitar sound or a mix of both. Beyond inspiring, the Acoustasonic Player Jazzmaster comes wrapped up in its own Deluxe 1225 gig bag.The Fender Acoustasonic Player Jazzmaster: Trusted Build Quality, Fender Playability & Solid TuningThe soundboard has been carved from a slice of solid A-grade spruce and features a specially developed WaterFall Sound Port soundhole while the back and sides are made from solid A-grade mahogany to match the bolt-on mahogany neck. Full-on Fender playability is supplied by the snug and agile feel of the deep-C neck profile, 12 inch fretboard radius and twenty-two narrow-tall frets, and since the nut, saddle and bridge pins are all made from Graph Tech TUSQ and the headstock has been finished with a set of modern Fender machine heads, you're assured of outstanding tuning stability and maximum vibrational transfer.

La Fender American Vintage II 1961 Stratocaster vous ramène à une époque où la notoriété de Fender était en plein essor. La Strat en particulier est incontournable dans l'histoire de la musique des années 60. Cet exemplaire est construit à partir de pièces d'époque, ce qui donne à cette guitare électrique l'aspect, le son et les sensations de jeu de la Stratocaster telle qu'elle existait en 1961. Chaque exemplaire est accompagné d'un étui marron de style vintage doté d'un intérieur orange. American Vintage II 1961 Stratocaster : détails authentiquesFender a choisi un corps solid body en aulne (alder) présentant une finition en vernis nitrocellulosique. Tout comme en 1961, cette Strat est dotée d'un look raffiné, notamment grâce à la plaque de protection à trois plis qui souligne les courbes élégantes du corps. Le son est également excellent, car Fender a utilisé un set de micros Pure Vintage '61 Stratocaster. Ces micros à simple bobinage utilisent une construction vintage des bobines, vous pouvez donc compter sur une large gamme de sons Strat instantanément reconnaissables. Expérience de jeu familièreEn plus de l'aspect et du son, une attention particulière a été accordée au confort de jeu. Par exemple, le manche en érable présente le profil en C de 1961 qui repose parfaitement dans la main. De plus, la touche en palissandre présente un radius convexe de 7,25 pouces avec 21 frettes vintage tall. Le résultat est un instrument qui offre une sensation immédiatement familière. Vous constaterez qu'aussi bien les accords que les leads sont faciles à jouer. Grâce au vibrato synchronisé Pure Vintage, vous pouvez également ajouter de subtils effets de vibrato à votre jeu.

Bien que cette Telecaster conserve le cachet emblématique de la légendaire Tele de Fender, la version Thinline possède un caractère unique. Cette American Vintage II vous offre les mêmes vibes vintage que l'édition de 1972 de cette célèbre guitare semi-hollow avec ses 2 micros Wide-Range. Ce résultat est obtenu grâce notamment aux micros à double bobinage caractéristiques de cette Tele et à son ouïe en forme de F joliment placée. Par ailleurs, si vous souhaitez la garder à l'abri ou l'emmener en concert ou en répétition, c'est tout à fait possible grâce à l'étui inclus. Il s'agit d'un étui noir de style vintage avec une doublure intérieure orange.American Vintage II 1972 Tele Thinline : une expérience de jeu absolument authentiqueTout comme la plupart des exemplaires hollow body Thinline d'origine, le corps de cette American Vintage II est entièrement en frêne. Il est fermement et parfaitement fixé au manche en érable par l'intermédiaire d'une plaque à 3 vis. Le manche présente bien sûr le profil C caractéristique des guitares Fender du début des années 1970. Pour compléter le tout, le radius de touche de 7,25 pouces et les 21 frettes vintage tall assurent une expérience de jeu parfaitement authentique et confortable. Étant donné qu'à l'époque, ces guitares étaient recouvertes d'un vernis polyuréthane très brillant, c'est bien sûr aussi le cas ici.Humbucker Authentic CuNiFe Wide-RangeCette Fender 1972 Telecaster Thinline présente des micros Authentic CuNiFe Wide-Range Humbucking spécialement conçus pour bénéficier du même son que le modèle d'origine. Pour ce faire, Fender a ressuscité un alliage de cuivre (Cu), nickel (Ni) et fer (Fe) qui n'était plus utilisé depuis des décennies pour fournir des aimants CuNiFe. Ces derniers constituent un élément essentiel permettant de retrouver ce son particulier et tant apprécié. Vous retrouverez également les potards et les switchs habituels. Le chevalet Pure Vintage 6-Saddle String-Through Body Hardtail avec ses 6 pontets en acier embouti et les mécaniques estampillées du F de Fender complètent à merveille le caractère authentique de cette guitare électrique.

Avec l'American Vintage II 1957 Stratocaster, Fender offre la possibilité de découvrir une Fender des premières années dans sa forme la plus pure. En effet, cette guitare électrique est construite à partir de composants fidèles à ceux de l'époque. Par conséquent, chaque instrument capture parfaitement le son et le savoir-faire indéniable de Fender. En prime, la Fender American Vintage II 1957 Stratocaster est accompagnée d'un étui en tweed de style vintage avec un intérieur rouge resplendissant. American Vintage II 1957 Stratocaster : le souci du détailLa base de cette '57 Strat est formée par un corps solid body en aulne arborant un vernis nitrocellulosique brillant. Ce vernis permet au bois de respirer pour qu'il délivre sa sonorité particulière de manière optimale. De plus, l'instrument développera au fil du temps une belle patine craquelée qui lui donnera un certain cachet. Le manche en érable d'une seule pièce est également recouvert d'un vernis nitrocellulosique et présente un profil en V offrant une prise en main confortable. Combiné avec le radius de touche convexe de 7,25 pouces et les frettes vintage tall, vous bénéficierez d'une expérience de jeu authentique.Son Fender inimitableGrâce à un set de micros Pure Vintage '57 Stratocaster, vous pourrez compter sur une large gamme de sons Strat instantanément reconnaissables. Ces micros disposent d'une construction vintage des bobines avec des fils de bobinage en Formvar et un câblage en tissu d'époque. Ainsi, vous bénéficiez d'aigus étincelants et de graves chaleureux. Pour ajouter des effets de vibrato à votre jeu, vous pouvez utiliser le vibrato synchronisé qui était à l'époque révolutionnaire et les pontets en acier. En résumé, cette Stratocaster 1957 est conçue pour les guitaristes ayant un penchant pour un son et une sensation authentiquement vintage.

With the deluxe addition of a laminated quilted maple top, a more classic Scroll-Style headstock and a few other sweet upgrades, this D'Angelico offering takes the Excel DC to the XT. While this is definitely a step up from the standard Excel, the 16 inch wide body, the thin-C neck profile, rosewood fretboard and flat 16 inch radius all remain, gifting the Excel DC XT with impeccable comfort and light and nimble playability. The D'Angelico Excel DC XT: Extreme Luxury The core sound of the Excel has also been retained, so you get a classic pair of Seymour Duncan '59 humbuckers that combine with the maple build to produce a surprisingly wide tonal spectrum framed by ultra-warm basses, glassy, bell-like trebles and masses of natural sustain. But, since this is the XT edition, both pickups have also been set up with a single-coil style voicing that can be activated by popping out the push-pull tone pots - supporting endless sonic variation. Deliciously flexible and finished with irresistible D'Angelico style and detailing, this model is very simply even more versatile and even more luxurious.

Focussed on volume and style, the GJA-SG200 electro-acoustic guitar by Sigma Guitars is a carefully built Grand Jumbo model boasting a Sunburst finish, a Fishman Sonitone pickup system and a solid Sitka spruce soundboard supported by a flamed maple back and sides. With full access to 14 frets and a comfortable micarta fretboard, you're assured of optimum comfort and control no matter your playing style, while the more-than-solid hardware - including Grover machine heads, a bone nut and saddle and Fishman Sonitone electronics - make sure that, as soon as you plug the GJA-SG200-AN into an acoustic amp, you've got nothing to worry about.

Combining masses of volume with charming looks, the Sigma Guitars GJA-SG200 electro-acoustic guitar has a Sunburst-finished Grand Jumbo body loaded with a solid Sitka spruce top and a Fishman Sonitone pickup. The flamed maple back and sides help to point the near larger-than-life sound of this guitar in the right direction, while full access to no less than fourteen frets is provided by a micarta fretboard. Finished with high-end hardware - including real Grover machine heads, a bone nut and saddle - plus Fishman-made electronics, this imposing six-string is a more than solid gigging partner.

This eight-string monster is Youtuber Rob Scallon's signature model. This unique instrument features a neck-through design for enhanced stability and a multi-scale configuration for natural playability, with the scale length shifting from 27 inches on the bass-string side to 25.5 inches down by the treble strings. The body has been hewn from swamp ash to keep the weight down and the resonance and aesthetics way up, while the mahogany neck comes topped with a 20-radiussed ebony fretboard lined with 24 jumbo frets. So this 3-piece neck remains stable at all times, Schecter have specially reinforced it with carbon fibre. The C-8 Rob Scallon: Split-Coil Pickups and Hipshot Hardtail Bridge Armed with two Schecter Diamond '78 Rob Scallon pickups for a PAF-style sound with a modern twist, as well as push/pull volume and tone pots, the C-8 offers ample sonic flexibility without ever sounding sterile or slushy. The tuning stability practically couldn't be better thanks to the Hipshot Grip-Lock tuners and the Graph Tech XL nut and, since this signature model dons a tasty Dark Roast satin-gloss finish, you can rest assured that it'll not only prick up ears but turn heads.

Part of the One Series, this padded gig bag keeps your Acus One For Street 10 acoustic amplifier safe on the way to the venue. Made of nylon, the Acus BAG-OFS10 comes in classic black and has been finished with handles as well as a shoulder strap for comfortable transport.

Dripping with classic style, the 'slope shoulder' JM-SG45 by Sigma Guitars packs convincing looks and a rich-and-dynamic sound to match - courtesy of a solid Sika spruce soundboard and a mahogany body. The neck, also made of mahogany, offers a comfy feel and is relatively short which makes bending notes into blues solos much easier. The hardware - including a bone nut and saddle - boasts the same high-grade quality while the electronics encompass a Fishman Sonitone pickup and preamp system to guarantee a clean amplified acoustic sound. So it can be taken to gigs (or lessons) right away, every JM-SG45 comes complete with a purpose-made SSC-D gig bag.

Finished with a solid spruce soundboard and a preamp and pickup system complete with a built-in tuner, the Sigma Guitars DM12E twelve-string electro-acoustic guitar delivers big sound whether unplugged or amplified. Supported by a mahogany back and sides, the body shapes immediately warm and dynamic tone with just enough emphasis on the trebles to poke through the mix of a full band. The mahogany neck is just a touch wider than a standard six-string model to support twelve-string finger-picking, but is slim enough to support a fast and fluid playing feel. Thoughtful from the headstock to the lower bout, this guitar has been fitted with a bone nut and saddle, a dual-action truss rod and a set of twelve robust mini-tuners to ensure musical sustain, reliable intonation and excellent tuning stability.

Part of the Crossroad Series, the Sigma Guitars SDM-10E electro-acoustic guitar boasts an all-solid build and a first-rate finish. The spruce soundboard and the mahogany back and sides frame full, dynamic sound, while the comfortable profile of the mahogany neck combines with twenty frets and a micarta fretboard to guarantee ample playing comfort, whether strumming chords or hurling solos. So the guitar sounds just as good plugged into an acoustic amp, Sigma have incorporated an LR Baggs EAS-VTC piëzo pickup which is joined by stabilising hardware in the form of real Grover machine heads and a bone nut and saddle.