The Eurolite AF-180 Stage Fan is perfect for enhancing a live show with snow, fog and bubble effects or just wind. This model features various parameters that can be controlled via DMX, including the output projection angle and RPM. The AF-180 Stage Fan can also be set up in standalone mode or controlled wirelessly via W-DMX of QuickDMX, and has been finished with a quick-lock omega bracket for eased truss installation.

The Showtec Shark Wash Zoom Two has been armed with seven 30W RGBW LEDs and motorised zoom. This wash moving head creates stunning light effects with unrivalled clarity and is perfect for outdoor events. The beam angle can be adjusted from a narrow 6° to a broad 38° for optimum coverage no matter the situation. From the stage to architectural elements, the Shark Wash Zoom Two lights it up with vivid colours.

Armed with a 100W LED, the Eliminator Stryker Beam shapes sensational aerial light effects. This powerful moving head is the perfect addition to any existing lighting rig and can be controlled via either 6 or 19 DMX channels which also cover the built-in electronic dimmer and strobe; set up in standalone mode; or hooked up via RDM. Perfect for night clubs, theatres and production companies, the Stryker is equipped with 3-pin/5-pin DMX ports and a locking power port. It comes complete with a power cable and Omega mounting bracket.

The professional Eliminator Stryker Wash Moving Head wields a set of nineteen 12 Watt, 4-in-1 RGBW LEDs that can be split into three independently controlled zones to support dynamic and vivid shows. The colour temperature of the light output has a 3,200k to 10,000k range, so in theatre settings as well as in live venues, the warmth of the light can be tweaked to match the skin tone of the performers, while the pan and title movements boast 16-bit precision. The Stryker Wash also features a variable strobe setting and, in terms of control, you get the pick of a three-zone mode with macros, manual control via the large LCD display screen and easily navigated setup menus, or DMX mode for addressing and controlling various functions in more depth. Even if this head isn't integrated into a DMX rig, it can be set up in primary or secondary stand-alone mode for more hands-off control.

Eliminator introduce the Furious Three: a spectacular light effect that gives you three different effects for the price of one: a moonflower, wash and laser. This dazzling party-starter has been armed with five 5W LEDs plus a red and a green laser, all of which can be controlled via DMX, sound-active mode, Auto mode or master/slave mode. Know nothing about DMX? Simply fire up sound-active mode and the Furious Three will do its thing based on the music detected by the built-in microphone.

The Eliminator Furious Five RG is a complete lighting solution wrapped up in one powerful fixture. This unit boasts five different light effects, making it the ideal bit of kit for touring performers or bars and clubs where space is limited. Two laser diodes (green and red) shoot countless beams across the space, while the on board derby, UV, colour wash and strobe effects give you plenty of options to play with. The strobe engages 81 white SMD 5730 LEDs and features variable speed and, on both sides of the bar, a row of six 3 Watt LEDS in a 4-in-1 RGBW configuration have been mounted to deliver vivid colour washes. Next to all of that, the Furious Five RG has been loaded with four 3 Watt CREE UV lamps that give you that classic blacklight effect - and that's alongside two derby lenses that are able to project animated point-patterns in mid-air.

Built to take light shows to the next level, the Eliminator Mega Hex L Par wields a set of four, 20 Watt LEDs with a 6-in-1 configuration, so you're treated to reds, greens, blues, limes, ambers and even UV. The addition of lime gives the CRI value a boost to over 90, so that, for example, performers on the stage look natural rather than over-lit. The same goes for white, which can adjusted in surgical detail to create the perfect effect - all features that you'd usually have to pay much more for.Revolutionary Flat Design & Seamless Daisy-chainingThe flat design of the Mega Hex L Par keeps the housing super compact, making things far smoother if you want to daisy-chain multiple units, especially since the DMX and power chaining pots are fitted on the same side. In terms of controls, seven DMX modes are at your disposal as well as Static Colour mode and Sound Active mode and, because this model boasts flicker-free operation, it can even be used on film sets as well as in theatres and live venues.

Une lyre impressionnante, totalement sans fil et prête pour un show lumière synchronisé en combinaison avec d'autres projecteurs ? Tout ça est presque trop beau pour être vrai, mais c'est possible et ça marche ! En effet, cette lyre Intimidator Free Spot 60 fait partie de la gamme ILS (Integrated Lighting System). Vous pouvez donc l'utiliser en combinaison avec d'autres appareils de la gamme ILS, comme le GigBar Move+ ILS, et former ensemble un réseau de projecteurs (sans fil) synchronisables. Le gain de temps est considérable, car vous passez moins de temps à programmer les appareils et vous mettez rapidement en place un show lumière professionnel et synchronisé.Technologies sans fil pour le contrôle et les fonctions intelligentesLa lyre Intimidator Free 60 ILS est équipée d'un transmetteur D-Fi permettant de la contrôler à distance depuis l'installation ILS. Même si vous n'utilisez pas le système ILS, vous pouvez la contrôler sans fil grâce au récepteur RF intégré. Les télécommandes RFC ou RFC-XL, disponibles séparément, peuvent être utilisées à cet effet. De plus, le spot dispose d'une mise au point motorisée pour projeter les images des gobos avec une grande netteté, quelle que soit la distance. Pour que le faisceau ait une plus grande portée, un prisme à trois facettes a été ingénieusement utilisé pour diviser le faisceau. Pour assurer une plus longue durée de vie à cette lyre, elle intègre un système de protection contre les surcharges et les décharges. Enfin, le mode Totem veille à ce que les faisceaux soient toujours dirigés vers la piste de danse.