Fitted with a -20dB PAD tucked away in the XLR output, the DPA 4011A d:dicate pencil microphone is perfect for capturing loud instruments in all of their glory. This high-quality cardioid condenser microphone features an MMC4011 capsule combined with an MMP-A preamp and, thanks to its high maximum SPL, can even handle marching bands.

The NX 6 in the advanced Boden Standard Series by the Swedish Strandberg is a more affordable, Indonesian-made version of the maker's high-end models, boasting maximum value for money and a forward-thinking build. While the more exclusive models have a chambered body to keep the weight down, the Boden Standard NX 6 has a 'classic' solid body made of lightweight basswood for an average weight of just 2.3kg. Besides a headless design, this uniquely comfortable model comes with arm and torso carves in the body, plus a special neck heel for increased playability. To kit you out in full, Strandberg also include a standard gig bag, an NX multi tool and a hex key.The Boden Standard NX 6: Ergonomic Playability Thanks to Patented EndurNeck ProfileOf course, no Strandberg model is a real Strandberg model without the grip, comfort and support of a patented EndurNeck neck profile, which puts less strain on your muscles, tendons and joints when playing solos higher up the neck. The Boden Standard NX 6 also features EGS Rev 7 hardware for eased tune-ups at the bridge, and so you can whip up a wide range of souped-up sounds, this .strandberg* offering has been polished off with two custom-design humbuckers and a five-way pickup switch.

If you're not afraid of innovation, then the Ibanez Bass Workshop EHB1506MS six-string headless bass is nothing short of a stone-cold treat. Expect maximum versatility, outstanding sound and unrivalled playability, all courtesy of a chambered body built from hand-selected, lightweight African mahogany, ergonomic body shaping, and the natural feel of an EHB4 neck. This bass simply boasts extreme comfort and, since this is a multi-scale model, things just keep getting better. The more-accurate multi-scale length doesn't just guarantee pure intonation along the entire fretboard but ensures optimal balance across all six strings. All polished off with a nine-piece panga panga and walnut neck and topped with a slice of figured poplar burl, you're also getting a uniquely rich foundation sound.The Ibanez Bass Workshop EHB1506MS: Modern Foundation, Natural PowerThe organic tone of the build is translated by a pair of Nordstrand Big-Split Custom pickups that have been teamed up with super-flexible active tone controls to deliver powerful yet natural amplified sound. Hit the EQ bypass switch and gain passive tone control in the mere blink of an eye. This is a headless bass, so everything is tuned and intonated via the high-precision MR5HS bridge and, since the headstock and machine heads have simply been removed, the weight and balance of this Bass Workshop model is beautifully optimised. To finish, Ibanez include a matching gig bag.

The Sigma Guitars SGJR-SG200 features an all-solid grand jumbo body and a built-in LR Baggs EAS-VTC preamp - a recipe for commanding sound whether it's plugged in or not. The solid soundboard made from AA-grade Adirondack spruce combines with a solid Indian rosewood back and sides for a stunning mix of sonic warmth and treble-range clarity, while the grand jumbo dimensions ensure masses of volume.Deluxe DetailingThe Sigma Guitars SGJR-SG200 sounds as high-end as it looks. The slim mahogany neck has been topped with an ebony fretboard finished with eye-catching inlays, and the white body binding creates a beautiful contrast between the light spruce and the dark rosewood. The SGJR-SG200 has even been treated with an ageing toner for boosted vintage vibes, while the gold-plated die-cast tuners from Grover, the soundhole rosette and tortoiseshell-style pickguard complete an elegant whole. So you can safely get the guitar to gigs, Sigma includes a matching gig bag.

Un monstre de polyvalence ! Cette Ibanez AZ2204N Prestige Black est sans aucun doute la guitare idéale pour qui est à la recherche d'un instrument capable de tout faire et de le faire bien. Grâce à ses micros Seymour Duncan Fortuna et à son système dyna-MIX9, cette guitare est l'arme absolue pour le musicien de studio ! De plus, et comme il s'agit d'une guitare de la gamme Prestige, elle présente une lutherie et une ergonomie de haute volée. Son corps en aulne dispose de multiples chanfreins idéalement placés afin de le rendre le plus ergonomique possible. Quant au manche en érable torréfié, il dispose de la technologie S-TECH WOOD visant à renforcer son sustain et son attaque. Il reçoit des frettes en inox aux bords parfaitement polis, des repères de touche phosphorescents sur la tranche et même un sillet en os !AZ2204N : un exemple d'ergonomiePour une parfaite ergonomie, cette AZ2204N bénéficie d'un corps chanfreiné au niveau de l'avant bras, de l'estomac mais également au niveau du talon. Voilà qui renforce le côté pro de cette guitare qui se montre idéale pour les longues sessions de jeu. Le choix de l'accastillage a également bénéficié d'un grand soin. On trouve tout d'abord un vibrato Gotoh T1702B pour une réponse rapide, des graves épais et des aigus riches. Agréable à utiliser, il est secondé par des mécaniques Gotoh Magnum Lock dont la technologie HAP-M garantit un réglage précis de la tension de chaque corde.Seymour Duncan Fortuna et dyna-MIX9Pour faire de cette AZ2204N un instrument à la polyvalence extrême, Ibanez l'a équipée de micros Seymour Duncan Fortuna pilotés par un ingénieux système dyna-MIX9. Ce dernier permet, grâce au sélecteur 5 positions et à un switch 2 positions, d'obtenir différentes sonorités grâce à des options de routage plus ou moins originales. Difficile de ne pas trouver la sonorité désirée ! De plus, les trois micros fournissent une sonorité précise, dynamique et équilibrée, aussi bien en son clair qu'en distorsion.

Dropped from the esteemed Axe Design Lab, the Prestige Series Ibanez RGA622XH drips with the unrivalled playability demanded by even faster and even more technical lead work. This model is home to an ultra-extended note range thanks to a Macassar ebony fretboard loaded with twenty-seven jumbo frets. The smooth and snug feel of the Prestige fret-edge treatment and the ultra-flat 16.9 inch radius don't do any harm either. This setup immediately lightens the action, so holding a note feels effortless and note-death is rendered a distant memory. High-precision, stable tuning is 100% assured by the mounted Lo-Pro Edge double-locking tremolo bridge which supports flawless intonation as well as extreme tremolo arm tricks, and as you'd expect, this Japanese-made bombshell comes complete with a hardshell case and multi-tool.The Ibanez Axe Lab Design RGA622XH with DiMarzio PupsBesides an outstanding level of playability, Ibanez have kitted out this less-than-humble six-string with a solid RGA body hewn from a high-quality chunk of African mahogany. This is paired with a two-piece set of DiMarzio pickups: The Tone Zone dual-coil sits at the bridge while the Air Norton S single-coil has been planted askew at the neck, where it takes a ruthless bite out of the end of the fretboard. Steer the output via the volume and tone pots, the three-way selector switch - and as an awesome bonus - the coil-tap mini-switch, to flip through no-less-than six different pickup configurations and a rich, technicolour array of tonal profiles. Other smaller yet just as deluxe details include a set of Gotoh machines heads and a full gold-plated hardware pack. In short, this is clean, tight and immaculately finished sonic-based quality.

Expanding their Acoustasonic range, Fender present the America-made Acoustasonic Telecaster complete with signature innovations and surprises. By combining a magnetic, piezo and sensor pickup, this hybrid game-changer harnesses the power of SIRS tech and the Fishman-and-Fender developed Acoustic Engine to flip through ten entirely different body-shapes and tonewood combos. Find your preferred setup via the selector switch and tweak the blend pot to call up classic electric as well as acoustic profiles. The ultimate sonic Swiss Army knife for the modern musician, the Acoustasonic Player Telecaster comes complete with a Fender Deluxe 1225 gig bag.The Acoustasonic Telecaster: Smart DesignThe mahogany back and sides of the Acoustasonic Telecaster have been topped with a solid Sitka spruce soundboard, finishing a versatile acoustic foundation. In terms of playability, the channel-bound ebony fretboard has been finished with a 12 inch radius and loaded with a set of twenty-two narrow-tall frets, all of which combines with the Modern Deep-C neck profile for a light and agile playing feel. The nut as well as the bridge pins have been provided by Graph Tech and made from TUSQ to ensure maximum resonance and stable tuning, and finishing in style, every inch of this cleverly designed model has been given a coat of butter-smooth satin-gloss.High-Grade American ToneWhile the mahogany neck is bolted on, the Acoustasonic Telecaster is a flat-top hollow-body, giving round, delicious sound even when unplugged. As the name suggests, the innovative American Acoustasonic Telecaster is built in Fender's factory in Corona, California.

Lamb of God guitarist, Willie Adler, has been toting his ESP Eclipse-style signature axe since 2006. To offer guitarists on-a-budget affordable access to this face-melting model, ESP LTD present the WA-Warbird. Kitted out with a deft and hefty pair of Fishman Fluence Modern humbuckers as well as other faithful details including a black fretboard, a full set of inlaid signature position markers and the infamous Warbird graphic on a black-lacquer background, this impressive signature is both sonically and visually formidable. EC Form-Fit case included.The ESP LTD WA-Warbird: A Lightweight Set-Thru Single-CutThe solid mahogany Eclipse-style body is finished by a glued-in, set-thru three-piece maple neck complete with a Macassar ebony fretboard, so you're immediately assured of ultra-stability and an extra nudge when it comes to the sustain. While it does bear all the hallmarks of a classic single-cut, this model is a touch more ergonomic than standard and has a lighter, more comfortable weight to it. More uniquely, the Willie Adler WA-Warbird also features a flatter 13.77 inch fretboard radius, a nice-and-thin U-profile neck carve and a set of agile extra-jumbo frets. And, keeping the tuning firmly in check, this ESP LTD offering also comes topped with locking machine heads.Fishman Fluence Modern Pups: Ceramic & AlnicoThe core sound of the Willie Adler Warbird is formed by that duo of Fishman Fluence humbuckers. Instead of a traditional, physically wound coil, these progressive pups feature a circuit board, giving them the ability to hide the sound of two pickups under one cover. Toggle the push/pull tone pot to flip between the two voicings and open up a fresh realm of sound. The ceramic double-coil at the bridge lays down a tight active sound or organic high-output sound, depending on the voicing, while the Alnico version at the neck delivers a more round, definition-rich sound or can be switched for a more blankety-warm active sound.

Graced with a fistful of decadent upgrades, including a quilted maple top and Throwback Scroll-Style headstock, the D'Angelico Excel SS has been taken to the XT. While this is the XT edition, the unbelievable comfort of the original Excel SS has been retained in the 15 inch wide body, single-cut shaping, thin-C neck profile and Jescar 47/104 nickel frets. Finished with a lightweight, feedback-eliminating centreblock, this model delivers sonic authenticity on top of effortless style. The D'Angelico Excel SS XT: Opulent Sound A Seymour Duncan '59 humbucker planted at the neck and bridge come backed up by decades of proven service. Hand built in California, these pickups combine with the hollow-body of the XT to deliver a sumptuous output packed with sweet warmth and just the right amount of high-end sparkle. Pop out the push-pull tone pots the single-coil voicing is activated per pickup to double the versatility. To finish, you're getting the full D'Angelico treatment plus all the trimmings: from the Deco-style tuning buttons to the pinstriped ebony control pots and gold hardware.

Si vous êtes à la recherche d'un système de sonorisation puissant et tout-en-un pour sonoriser impeccablement vos prestations et soirées, alors le DAVE 18 G4X de LD Systems est la solution idéale ! Ce système sono 2.1 combine un solide caisson de basses de 18 pouces avec deux enceintes satellites de 8 pouces à 3 voies et une table de mixage intégrée. Grâce à ses nombreuses connexions et à ses différents presets pour les configurations mono ou stéréo, le DAVE 18 G4X est très polyvalent. Le caisson de basses de 18 pouces est parfait pour reproduire des basses impeccables et puissantes et convient donc parfaitement à la musique électro ou aux concerts de groupes de petite taille. Un ampli de classe D très efficace et à refroidissement passif par convection, offre une puissance RMS allant jusqu'à 2 000 watts tout en fonctionnant silencieusement. DSP DynX pour une diffusion sans distorsionAussi bien le caisson de basses de 18 pouces que les deux enceintes médium/aigu intégrant chacune un woofer de 8 pouces sont spécialement conçus pour fournir un volume élevé avec pratiquement aucune distorsion. Le caisson de basses est également doté d'un boîtier Bass Reflex qui le rend encore plus efficace pour une restitution impeccable des basses. Il y a également de nombreuses possibilités de connexion disponibles sur la table de mixage intégrée. Vous pouvez y connecter des micros, des instruments et des signaux stéréo. Cependant, la connexion SPDIF pour les sources numériques haute définition ainsi que la connexion Bluetooth pour transmettre de la musique sans fil sont les atouts majeurs. Les deux premiers canaux disposent d'un contrôle de la tonalité High et Low et d'un bel effet reverb avec plusieurs presets.

Guitare Electrique ESP LTD EC-1000 Black Du métal moderne au rock classique, cette guitare couvre un large éventail de styles musicaux. Le secret réside dans un ensemble de micros double bobinage Fluence Modern, qui mélangent des aimants en alnico et en céramique et des sons de high-tech pour vous offrir un fort niveau de sortie sans ronflement, tout en conservant de la clareté et de l'éclat. L'EC-1000 est équipée d'un chevalet et d'un cordier Tune-O-Matic TonePros et des mécaniques auto-blocquantes LTD pour une parfaite tenue d'accord. La ESP LTD Eclipse EC-1000 dispose d'une touche en ébène à radius moderne avec 24 frettes extra-jumbo.

Guitare Electrique ESP LTD EC-1000 See Thru Black Cherry Du métal moderne au rock classique, cette guitare couvre un large éventail de styles musicaux. Le secret réside dans un ensemble de micros double bobinage Fluence Modern, qui mélangent des aimants en alnico et en céramique et des sons de high-tech pour vous offrir un fort niveau de sortie sans ronflement, tout en conservant de la clareté et de l'éclat. L'EC-1000 est équipée d'un chevalet et d'un cordier Tune-O-Matic TonePros et des mécaniques auto-blocquantes LTD pour une parfaite tenue d'accord. La ESP LTD Eclipse EC-1000 dispose d'une touche en ébène à radius moderne avec 24 frettes extra-jumbo.

Make no compromises when it comes to sound quality, whether working live or in the studio, all courtesy of an audio interface that comes neatly packed away in a 19 inch unit. The RME Fireface 802 FS is a flexible all-rounder of an interface that grants access to no less than sixty channels divided over both analogue and digital ports, so next to a stack of balanced XLR and TRS jack input and outputs, you get AES/EBU, ADAT/SPDIF and MIDI inputs and outputs. Another eternally handy feature is the two headphone outputs, which support monitor mixes during the recording phase as well as monitoring during the mixing phase. Squeaky Clean Preamps & High-End AD/DA ConversionIt's no secret that RME interfaces boast some of the best preamps and conversion going, and this is no different with the Fireface 802 FS. The preamps are able to capture every minuscule detail perfectly while the unparalleled conversion guarantees that nothing is lost when analogue signals are converted to digital signals - and vice versa. Backed up by a sample rate of 192kHz, you're assured of high-resolution audio recording that's packed with every subtlety and nuance.The TotalMix FX DSP Mixer: Total Control The Fireface 802 FS is also home to a powerful DSP mixer that gives you complete freedom when it comes to routing and monitoring. Next to that, you'll find a digital analyser: DigiCheck, which analyses digital data in both directions to ensure maximum precision. TotalMix, meanwhile, renders any external mixer completely redundant, since this latency-free mixer supplies EQ controls, compression, reverb and delay effects for every output, including the monitor and headphone outputs. You can even use TotalMix Remote to control the hardware and effects from your iPad or Windows or Mac computer via Ethernet and WiFi.

Parce que la demande pour une guitare baryton à 7 cordes est particulièrement forte parmi les amateurs de RG, Ibanez a conçu cette RG2027XL issue de la série Prestige. En raison de son diapason plus important que celui d'une guitare normale, cette RG2027XL permet d'augmenter la tension des cordes et donc de pouvoir utiliser des accordages plus graves tout en conservant une sonorité précise et riche en sustain. Instrument parfaitement moderne, cette guitare bénéficie de tout le savoir-faire de la maison japonaise, notamment en matière de confort de jeu. Le manche est fabriqué à partir de 5 pièces d'érable et de wengé, ce qui lui assure une excellente stabilité. De profil Wizard 7, il est équipé d'une touche en ébène dont les frettes bénéficient du traitement Prestige pour un confort de jeu irréprochable !RG2027XL : puissante, définie et stableChez Ibanez, les micros DiMArzio ont la cote, notamment dans le haut de gamme. C'est pourquoi nous retrouvons une paire de humbucker Fusion Edge 7 conçus pour supporter les fréquences graves tout en bénéficiant d'une parfaite définition. Bien évidemment, ils proposent également un gros niveau de sortie afin d'attaquer énergiquement n'importe quelle pédale de disto high gain. Pour assurer un réglage stable malgré une utilisation abusive, cette guitare dispose d'un tremolo Lo-Pro 7 Edge 7 dont la fiabilité a depuis longtemps fait ses preuves. Série Prestige oblige, cette RG2027XL vient accompagnée d'un étui spécialement taillé à sa mesure !

Fidèle à la Les Paul Special des années 50, la Gibson Original Collection Les Paul Special LH (pour gaucher) possède un corps en acajou et un manche en acajou, tous deux recouverts d'une laque nitrocellulosique comme la tradition l'exige chez Gibson. Associés à la touche en palissandre, la Special développe la sonorité chaude et ronde que vous attendez d'une Gibson pure race. De plus, la sensation de jeu du profil de manche Vintage des années 50, du radius de touche de 12 pouces et des 22 frettes medium jumbo est tout aussi chaleureusement familière.Les Paul Special Single-Cut : micros P90La paire de P90 installée fournit ce sweet-spot brut de bon goût qui se situe quelque part entre une paire de humbuckers et une paire de simples bobinages. Cette paire de micros est soutenue par la section de contrôle flexible dotée d'un sélecteur 3 positions et d'un volume et d'une tonalité par micro. La stabilité de l'accordage est assurée par un chevalet Wraparound et un sillet Graph Tech. Ce modèle sans compromis est livré avec un étui rigide et un kit d'accessoires Gibson.La marque GibsonFondée en 1902, la marque Gibson fait partie des pionniers dans la fabrication d'instruments de musique, en commençant par les mandolines. C'est en 1952 que la Les Paul sera commercialisée, suivie quelques années plus tard par les Flying V et Explorer puis la SG. On ne compte plus le nombre d'artistes ayant joué (ou jouant encore) sur ces célèbres modèles dont, notamment, Angus Young, Jimmy Page, Tony Iommi, Chuck Berry, Joe Bonamassa, B.B. King ou encore Frank Zappa.

Fender proudly present the American Acoustasonic Stratocaster. Following the resounding success of the acoustic reworking of the Telecaster, this fresh hybrid offers an innovative instrument to all Strat lovers. The Tele Acoustasonic came loaded with forward-thinking tech, Fender-level build quality and an incredibly flexible sound and, since the Strat-style incarnation of the Acoustasonic comes with the now hallowed Fishman-Fender-developed Acoustic Engine at its heart, this model is no different.The American Acoustasonic Stratocaster: You Can Take It AnywhereBesides the preamp, an Under-Saddle piëzo pickup has been installed to faithfully register the acoustic sound; a magnetic Fender Noiseless N4 single-coil is mounted at the bridge, and an 'Internal Body Sensor' inside the body ensures that the natural resonance is captured in full. To gain access to the mind-boggling range of sounds this three-piece electronics combo produces, it's worth getting to know the five-way switch. With seven acoustic and three electric guitar sounds on offer, as well as the pickup configurations available, experimentation is not just invited but actually demanded.Electric PlayabilityThis Fender Acoustasonic Stratocaster has the butter-smooth feel of a satin-gloss finish and comes fitted with a highy playable electric-guitar-esque, Modern Deep C-profile neck. Other more traditional Strat details include the lightly bevelled forearm contour across the top of the body, and just like the classic Strat, the shape and depth of the body of this guitar is just as comfortable whether sitting or standing. Playing entirely unplugged is of course possible due to the SIRS sound hole, and this accomplished guitar comes complete with its own form-fitting and luxury Fender 1225 gig bag.

This eight-string monster is Youtuber Rob Scallon's signature model. This unique instrument features a neck-through design for enhanced stability and a multi-scale configuration for natural playability, with the scale length shifting from 27 inches on the bass-string side to 25.5 inches down by the treble strings. The body has been hewn from swamp ash to keep the weight down and the resonance and aesthetics way up, while the mahogany neck comes topped with a 20-radiussed ebony fretboard lined with 24 jumbo frets. So this 3-piece neck remains stable at all times, Schecter have specially reinforced it with carbon fibre. The C-8 Rob Scallon: Split-Coil Pickups and Hipshot Hardtail Bridge Armed with two Schecter Diamond '78 Rob Scallon pickups for a PAF-style sound with a modern twist, as well as push/pull volume and tone pots, the C-8 offers ample sonic flexibility without ever sounding sterile or slushy. The tuning stability practically couldn't be better thanks to the Hipshot Grip-Lock tuners and the Graph Tech XL nut and, since this signature model dons a tasty Dark Roast satin-gloss finish, you can rest assured that it'll not only prick up ears but turn heads.

Hotte de plafond en verre 1200 mm / Débit d'aspiration d'air: 585 m3 /h en maxi - 905 en intensive / Puissance sonore: 50dB en maxi - 62dB en intensive / Eclairage LED

With the Meinl B15182021 Byzance Assorted Cymbal Set, the modern drummer is kitted out with four essential cymbals in one neat shot. This high-grade pack includes a 15 inch Byzance Dual hi-hat and an 18 inch Byzance Dual crash, which both feature the warm yet trashy sound of a raw bell and inner bow combined with a traditionally finished edge. Next to that, you get a 20 inch Byzance Extra Thin Hammered crash and a 21 inch Byzance Polyphonic Ride to fill everything out with a classic response and plenty of definition and, so you're assured of exacting quality, every cymbal has been hand-hammered to shape from B20 bronze.

La tête d'ampli Marshall JCM800 2203 n'a pas dit son dernier mot ! Modèle classique des années 1980, elle tient encore une place de choix dans le cœur de très nombreux guitaristes célèbres et de fans de la légendaire marque d'amplis britannique. Cette version  offre une impressionnante puissance de 100 W grâce à quatre lampes EL34. Côté préampli, on retrouve trois lampes ECC83, dont l'une sert de séparateur de phase. Bien que la JCM800 2203 soit plutôt orientée rock et métal, elle peut également faire un excellent travail dans d'autres genres de musique tels que le blues et l'indie, par exemple.Une tête d'ampli simple et complèteBien que la façade de cet ampli à lampes Marshall semble assez simple en termes de configuration, ses possibilités vous surprendront certainement. Outre une égalisation à trois bandes particulièrement puissante, elle présente également des contrôles de Presence, de Master et de Preamp. En fonction du niveau de sortie des micros de votre guitare, vous pourrez choisir d'utiliser l'entrée High ou l'entrée Low. Autre ajout intéressant, la Marshall JCM800 2203 dispose d'une boucle d'effet avec circuit True Bypass. Via les deux sorties et le sélecteur dédiés, vous pouvez également choisir de connecter un baffle de 4, 8 ou 16 ohms. Vous pouvez également sélectionner la tension de l'alimentation entre 110V, 220V ou 230V afin d'être opérationnel à l'étranger.

Fidèle à la Les Paul Special des années 50, la Gibson Original Collection Les Paul Special possède un corps en acajou et un manche en acajou, tous deux recouverts d'une laque nitrocellulosique comme la tradition l'exige chez Gibson. Associés à la touche en palissandre, la Special développe la sonorité chaude et ronde que vous attendez d'une Gibson pure race. De plus, la sensation de jeu du profil de manche Vintage des années 50, du radius de touche de 12 pouces et des 22 frettes medium jumbo est tout aussi chaleureusement familière.Les Paul Special Single-Cut : micros P90La paire de P90 installée fournit ce sweet-spot brut de bon goût qui se situe quelque part entre une paire de humbuckers et une paire de simples bobinages. Cette paire de micros est soutenue par la section de contrôle flexible dotée d'un sélecteur 3 positions et d'un volume et d'une tonalité par micro. La stabilité de l'accordage est assurée par un chevalet Wraparound et un sillet Graph Tech. Ce modèle sans compromis est livré avec un étui rigide et un kit d'accessoires Gibson.La marque GibsonFondée en 1902, la marque Gibson fait partie des pionniers dans la fabrication d'instruments de musique, en commençant par les mandolines. C'est en 1952 que la Les Paul sera commercialisée, suivie quelques années plus tard par les Flying V et Explorer puis la SG. On ne compte plus le nombre d'artistes ayant joué (ou jouant encore) sur ces célèbres modèles dont, notamment, Angus Young, Jimmy Page, Tony Iommi, Chuck Berry, Joe Bonamassa, B.B. King ou encore Frank Zappa.

Hotte encastrable Dans le plafond Largeur 120 cm pour une table de 100 à 120 cm

Part of the high-end Deluxe Series, the D'Angelico 59 archtop semi-acoustic guitar has an elegant thinline hollowbody that's sixteen inches wide and less than two inches thick. Made using dao veneer and equipped with a stable, 3-ply maple/walnut neck and a sumptuously dark ebony fretboard, this extra-comfortable, fully balanced guitar shapes refined sound and comes tucked up inside its own DE17CASE deluxe hardshell case.The Deluxe 59: Clear, Round and Woody SoundAs well as expressive sound, the 59 offers a fast response that's captured by two Seymour Duncan-supplied Great Dane P-90 pickups as soon as the guitar is plugged in. The vast, woody and round tonal range can be explored via the 3-way pickup switch, volume knob and tone control, while the C-profile of the neck, satin-gloss finish and the twenty-two Jescar 47/104 Nickel Silver frets make sure that the playing feel is fully up to snuff.

Part of the high-end Deluxe Series, the D'Angelico 59 archtop semi-acoustic guitar has an elegant thinline hollowbody that's sixteen inches wide and less than two inches thick. Made of laminated maple and equipped with a stable, 3-ply maple/walnut neck and a sumptuously dark ebony fretboard, this extra-comfortable, fully balanced guitar shapes refined sound and comes tucked up inside its own deluxe hardshell case.The Deluxe 59: Clear, Round and Woody SoundAs well as classic warm sound, the 59 offers a fast response that's captured by two Seymour Duncan-supplied Great Dane P-90 pickups as soon as the guitar is plugged in. Its vast tonal range full of round and woody sounds can be explored via the 3-way pickup switch, volume knob and tone control, while the C-profile of the neck, satin-gloss finish and the twenty-two Jescar 47/104 Nickel Silver frets make sure that the playing feel is fully up to snuff.

Fidèle à la Les Paul Special des années 50, la Gibson Original Collection Les Paul Special possède un corps en acajou et un manche en acajou, tous deux recouverts d'une laque nitrocellulosique comme la tradition l'exige chez Gibson. Associés à la touche en palissandre, la Special développe la sonorité chaude et ronde que vous attendez d'une Gibson pure race. De plus, la sensation de jeu du profil de manche Vintage des années 50, du radius de touche de 12 pouces et des 22 frettes medium jumbo est tout aussi chaleureusement familière.Les Paul Special Single-Cut : micros P90La paire de P90 installée fournit ce sweet-spot brut de bon goût qui se situe quelque part entre une paire de humbuckers et une paire de simples bobinages. Cette paire de micros est soutenue par la section de contrôle flexible dotée d'un sélecteur 3 positions et d'un volume et d'une tonalité par micro. La stabilité de l'accordage est assurée par un chevalet Wraparound et un sillet Graph Tech. Ce modèle sans compromis est livré avec un étui rigide et un kit d'accessoires Gibson.La marque GibsonFondée en 1902, la marque Gibson fait partie des pionniers dans la fabrication d'instruments de musique, en commençant par les mandolines. C'est en 1952 que la Les Paul sera commercialisée, suivie quelques années plus tard par les Flying V et Explorer puis la SG. On ne compte plus le nombre d'artistes ayant joué (ou jouant encore) sur ces célèbres modèles dont, notamment, Angus Young, Jimmy Page, Tony Iommi, Chuck Berry, Joe Bonamassa, B.B. King ou encore Frank Zappa.

Exclusively designed to deliver life-packed, clean tone at a hefty volume level backed up by responsive basses, the valve-driven Supro 1933R Royale is like a blank slate - fully-prepped for building your own signature sound. Ever helpful, this dapper combo amplifier even features adjustable power, so it can be switched from Class A (35W) to Class AB (50W) as needed. Engage Class A mode to gain that signature mid-range-rich Supro sound or flip into Class AB mode to scoop out the mids and tighten up the basses. Add the potent EQ section and you're getting a high-grade amp that can be taken in any and every direction.The Supro 1933R Royale: Three Little SwitchesDirect access to the ultra-flexible nature of this amp is afforded by the switchable boost, valve-buffered FX loop and valve-driven spring reverb to add a little extra sonic depth. Kitted out with two 12 inch Custom Supro DB12 speakers, the setup literally speaks for itself: an articulate and nuanced response that brings out all the details of your playing, whether you're hard at work in the studio or on stage. All of it comes wrapped up in Black Scandia tolex and fronted with a woven hemp speaker cover, polishing off the 1933R Royale in fitting, mid-century-modern style.

Les mises à jour sur cette Gibson Modern Collection SG Standard établissent une nouvelle norme chez Gibson, sans rien perdre de ce style classique et brutal. Ainsi, ce modèle à double pan coupé propose toujours ce style emblématique tandis que le corps en acajou a été un peu plus arrondi afin d'améliorer le confort de jeu. Le long tenon et le manche en acajou avec touche en palissandre de 12 pouces complètent une base tonale riche en sustain, tandis qu'une paire de humbuckers avec aimant Alnico II offre bien plus qu'une simple ambiance vintage.SG Standard : sonorité passe-partoutLe 490T de la position chevalet propose la sonorité charnue exigée par les riffs serrés et les accords gras, tandis que le 490R de la position manche ajoute cette agréable rondeur et une définition raffinée. La large gamme de sonorités de gain modéré qui en résulte peut être sélectionnée par le sélecteur à 3 positions et un ensemble de potentiomètres de volume et de tonalité par micro. L'accastillage se compose d'un chevalet Nashville Tune-O-Matic en aluminium léger et d'un cordier Stop Bar. Un sillet Graph Tech et un ensemble de mécaniques Grover Rotomatics de haute qualité assurent une parfaite stabilité de l'accordage. Cette Gibson SG Standard est livrée avec un étui softshell.La marque GibsonFondée en 1902, la marque Gibson fait partie des pionniers dans la fabrication d'instruments de musique, en commençant par les mandolines. C'est en 1952 que la Les Paul sera commercialisée, suivie quelques années plus tard par les Flying V et Explorer puis la SG. On ne compte plus le nombre d'artistes ayant joué (ou jouant encore) sur ces célèbres modèles dont, notamment, Angus Young, Jimmy Page, Tony Iommi, Chuck Berry, Joe Bonamassa, B.B. King ou encore Frank Zappa.

Simply because the range of choice is near-astronomical these days, picking out the right studio monitor can be a nightmare. And this isn't a choice you can make lightly, not only because it's a hefty investment, but because the monitors are essentially the right-hand of any good mixing or mastering engineer. So why does the Neumann KH 150 AES 67 deserve a spot on your shortlist? Well, virtually every studio is already kitted out with their microphones - so just imagine what would happen when that level of quality is applied to a near-field.The Neumann KH 150 AES 67 Studio MonitorFor a start, this monitor has been set up to take on an array of different projects and genres. The frequency response effortlessly stretches from 39Hz to 21kHz, and that's more than enough to accommodate straight-up thumping EDM as well as subtle to dramatic orchestral work. The audio imaging is as trustworthy as it gets, and since phase is always the devil that gets in the details, the KH 150 features a range of complex DSP processes to tighten up the phase and prevent it from warping the image. As you'd expect, this results is extremely accurate audio reproduction. Another nice feature is the AES 67 system, which removes the standard XLR port and allows this monitor to be linked to a complete audio streaming network - definitely a plus for audio work on location or where microphone signals are forced to travel insane distances - cable noise simply won't matter because it's all digital.The Razor-Sharp Performance of Acoustic Monitor AlignmentA welcome tweak in the studio monitor landscape is built-in calibration. If you plonk a high-end monitor in a sub-standard listening space, you're simply not going to get the best out of it. Of course, you can solve a lot of the issues with some acoustic treatment, but to compensate for less ideal acoustics, this Neumann offering features on-board Acoustic Monitor Alignment calibration to keep things as neutral as possible. Ok, so you might need to pick up the MA 1 measurement microphone (sold separately) to set it up - but the difference can be well worth it. And, even without the acoustic calibration tech, this studio monitor is nothing short of impressive.

The meaty ST-style sound of a three-pack of single-coils plus a heap of modern playability, high-precision Japanese build quality and a classy, classic finish. This is the Ibanez Prestige AZ2203N. The core of this high-spec electric guitar is formed by a solid alder body and bolted-on maple neck, which has undergone Ibanez's own S-Tech heated treatment to bake off any excess moisture and enhance both stability and durability.The Ibanez AZ2203N Prestige: Fluid Fret-NavigationA rosewood fretboard completes the construction and has been given a compound radius that starts at 8.98 inches at the headstock and ends at 12 inches at the body, immediately giving chords a tight and accurate feel while lead licks and riffs feel fluid and controlled. A durable set of stainless steel jumbo frets lighten the load on the fret-hand even further, and have been given the Prestige treatment, so any sharp edges have been smoothed down and rounded off for maximum comfort. And, to ease fret navigation, you get a set of mother-of-pearl position markers alongside a set of luminescent side dots.Custom Seymour Duncan Fortuna Pickups & Gotoh HardwareClear and defined sound filled out with a sweet punch and light mid-range scoop is expertly dished out by a set of three Custom Fortuna pickups, controlled by a single tone and volume pot and a five-way selector switch. Meanwhile, a Gotoh T1502S tremolo bridge supports subtle-and-refined to extreme vibrato tricks, and a full set of Gotoh Magnum Lock machine heads don't just firm up the tuning stability, but since these are the H.A.P. editions, the string angle as it threads through the bone nut can be accurately adjusted. This pristine Prestige offering comes pre-wrapped in a hardshell case complete with a multi-tool.

When it comes to satisfyingly elaborate synth engines, Waldorf are the go-to. A respectable name in the high-end synth game, Waldorf always mean serious business, which is exactly why we're treated to sweet synth chunks like the Iridium. The engine at the core of this module is so extensive that it'll take years before you hear everything it can do and even then, you'll still be wondering if you really have heard everything. The original Iridium is a keyboard synthesizer so, if you already have a perfectly good keyboard at your disposal, then the Waldorf Iridium Core is a more flexible and desktop-friendly alternative. This edition is not only more compact and free of a keyboard, but also comes at a slice of the price.The Waldorf Iridium CoreJust like the keyboard edition, this is one serious bit of kit. The 12-voice polyphony is backed up by three oscillators per voice, and its in the oscillators where you can really make your mark: wave table, the wave form, particle, resonator or kernel. Wave table speaks for itself: simple sample playback, 2GBs of which already comes preloaded onto the flash memory. Here, 'waveform' is another word for virtual analogue, so you can mess around with your sawtooth and square waves and so on. Particle deals in sample-based granular synthesis. Resonator opens up a world of acoustic instrument simulations and, to finish, 'kernel' basically means FM synthesis via a maximum of six coupled sub-oscillators. On top of that, expansive filter options are on offer alongside a massive modulation matrix and enough effects to fill the boots of the most demanding of producers.Who's it Built For?While this model does have a few less control elements than the earlier edition of the Iridium module, is that going to be an issue? In a word: no. Everything can be done via the giant 1024 x 600 pixel display screen anyway. The Core is also fully compatible with the Iridium and Quantum, supporting patch-swapping. Basically, this model brings a whole horizon of sonic options but packs them away in a more compact box and, while the controls are fairly straightforward, the sheer breadth might be a bit overwhelming for the beginner synth-head, while more experienced producers will have more than enough to chew on.

Graced with a fistful of decadent upgrades, including a quilted maple top and Throwback Scroll-Style headstock, the D'Angelico Excel SS has been taken to the XT. While this is the XT edition, the unbelievable comfort of the original Excel SS has been retained in the 15 inch wide body, single-cut shaping, thin-C neck profile and Jescar 47/104 nickel frets. Finished with a lightweight, feedback-eliminating centreblock, this model delivers sonic authenticity on top of effortless style. The D'Angelico Excel SS XT: Opulent Sound A Seymour Duncan '59 humbucker planted at the neck and bridge come backed up by decades of proven service. Hand built in California, these pickups combine with the hollow-body of the XT to deliver a sumptuous output packed with sweet warmth and just the right amount of high-end sparkle. Pop out the push-pull tone pots the single-coil voicing is activated per pickup to double the versatility. To finish, you're getting the full D'Angelico treatment plus all the trimmings: from the Deco-style tuning buttons to the pinstriped ebony control pots and gold hardware.

Cette Original Designer vous offre de nombreuses caractéristiques de la Explorer originale de 1958 mais dispose, entre autres, d'un corps en acajou et de deux micros Burstbucker. Un modèle intemporel ! Pour mettre en valeur les dessins raffinés du bois, cette guitare dispose d'une finition nitrocellulosique brillante. Les deux micros Burstbucker fournissent un son amplifié authentique avec juste un peu plus de gain et pourtant un caractère de style PAF incomparable. Avec les deux potentiomètres de volume et le sélecteur 3 positions, vous pouvez créer votre propre mélange entre le Burstbucker 3 de la position chevalet Burstbucker 2 de la position manche.Explorer : une sensation de jeu authentique et confortableLes formes du corps de cette solid body Gibson sont inspirées de l'original des années 50. Même chose pour le manche qui reçoit un profil Slim Taper. Ajoutez à cela la touche en palissandre avec un radius de 12 pouces et les 22 frettes medium jumbo et vous obtenez une guitare qui vous offre une sensation de jeu authentique et confortable. Afin de vous fournir un accordage stable, vous disposez non seulement d'un chevalet tune-o-matic et d'un cordier Stopbar assorti. Cette Explorer dispose également de mécaniques Grover Rotomatic et d'un sillet Graph Tech. Un kit d'accessoires Gibson et un étui rigide sont également inclus.La marque GibsonFondée en 1902, la marque Gibson fait partie des pionniers dans la fabrication d'instruments de musique, en commençant par les mandolines. C'est en 1952 que la Les Paul sera commercialisée, suivie quelques années plus tard par les Flying V et Explorer puis la SG. On ne compte plus le nombre d'artistes ayant joué (ou jouant encore) sur ces célèbres modèles dont, notamment, Angus Young, Jimmy Page, Tony Iommi, Chuck Berry, Joe Bonamassa, B.B. King ou encore Frank Zappa.

Synthétiseur analogique NORD 49 touches Les Synthétiseurs Nord Lead sont devenus des machines de référence grâce à leur grain unique et leur simplicité d'utilisation qui en font des machines professionnelles puissantes à la portée de tous. Nord annonce le synthétiseur à modélisation analogique Nord Lead A1. Il combine le tout dernier moteur de modélisation issus du Nord Lead 4 à une nouvelle interface utilisateur innovante pour une programmation ultra rapide. LA MODELISATION ANALOGIQUE Le Nord Lead 4 et maintenant le Nord Lead A1 sont équipés d'un nouveau moteur de modélisation capable de reproduire les caractéristiques et les nuances des synthés Vintage de vos rêves avec une précision extreme. Avec ses 24 voies de polyphonie et une multi-timbralité de 4 parties et grâce à sa vaste palette sonore, le Nord Lead A1 est le choix idéal sur la scène comme en studio. L'ERGONOMIE Le Nord Lead A1 bénéficie d'une nouvelle interface utilisateur pour offrir une programmation simple et rapide tout en restant ultra flexible. Cette interface à été perfectionnée pour optimiser le travail des Pros faisant face à des contraintes de temps toujours croissantes. Une des caractéristiques principales de la nouvelle interface du Nord Lead A1 est la section Oscillators ou des raccourcis de configurations d'oscillateurs permettent de créer et d'éditer des Patchs de façon bien plus rapide qu'il est habituellement possible de le faire pour des synthèses de cette complexité. En utilisant un seul LFO et une enveloppe de modulation simplifiée avec des contrôles intuitifs situés sur le panneau avant, il est également très aisé et rapide de procéder à des expérimentations avec les modulations, tout en gardant une parfaite compréhension de la structure du Patch. LES FILTRES Le Nord Lead A1 inclue un filtre Low Pass, High Pass et Band Pass, ainsi que les nouvelles modélisation Ladder M et Ladder TB introduits avec le Nord Lead 4. LES EFFETS Le Nord Lead A1 bénéficie d'un processeur d'effets séparé pour chacune des quatre parties. Chacun des processeurs propose un Delay (offrant le choix entre un comportement analogique ou numérique) une Reverb de très bonne facture, et un module laissant le choix entre Drive, Ring Modulation, Phaser, Flanger, Ensemble, et Chorus. Le Chorus et L'Ensemble ont été modélisés à partir de synthés analogiques apportant ainsi une touche Vintage et une chaleur supplémentaire. LE SAVOIR FAIRE NORD Le Nord Lead A1 reprend également certains des ingrédients qui ont fait le succès des synthés Nord comme le Morphing via la vélocité et la Molette de modulation, ajoutant ainsi un contrôle des paramètres en temps réel exceptionnel. Vous disposez également d'un arpégiateur indépendant par partie, d'une horloge maître permettant de synchroniser le LFO, le Delay et l'arpegiateur, du contrôle des informations MIDI via le port USB intégré et de quatre sorties indépendantes. Le Nord Lead A1 est également compatible avec le Nord Sound Manager permettant ainsi la sauvegarde des sons et une gestion simplifiée des mémoires utilisateurs. Comme tous les produits Nord, il est fabriqué à la main en Suède, et une attention très particulière est portée sur la qualité de fabrication.

The Sela Unity handpan shapes soft, dreamy and mysterious sounds, taking any listener on a spiritual journey full of complex rhythms and virtuoso melodies. To ensure flawless tuning, this high-quality handpan has been made by joining two professionally hand-hammered stainless steel halves, which can be played by tapping the 'pockets' to produce clear, richly sustained notes. So it can be safely transported, every Sela Unity Handpan comes complete with a padded backpack-style gig bag.

Since this is the Mario Camarena Signature MAR10-LMM, we're treated to infinite sonic versatility courtesy of an HSS pickup configuration and Ibanez' renowned Dyna-MIX9 switching system, so you can expect dynamic, elastic sound and maximum clarity - even when the distortion is cranked all the way up. The high-grade build and finish has been teamed up with high-grade hardware including an ultra-stable roasted maple neck, twenty-four stainless-steel frets, a set of Gotoh MG-T locking tuners, and a matching Gotoh T1502 tremolo bridge - all primed to offer supreme playing comfort, excellent tuning and solid intonation.Nine Pickup CombosThe two Hyperion single-coils in the middle and neck positions as well as the Hyperion humbucker at the bridge have been provided by Seymour Duncan and boast Alnico V magnets that pack the output with balanced definition. Vary the sound via the standard five-way switch, then pile on four extra voicing options by flipping the toggle switch of the Dyna-MIX9 switching system. This expanse of tone is fully reinforced by the resonance of the sleek and ergonomic basswood body, and to finish, this singular instrument comes dipped in a tasty Lavender Metallic Matte paint-job and pre-packed in an Ibanez gig bag.

So hot, it might leave blisters on your fingers, the Ibanez Scott LePage Signature KRYS10 comes equipped with a two-pack of Fishman Fluence Custom Series pickups and dipped in gold - so you know exactly what you're getting. Courtesy of the Polyphia guitarists, this solid-bodied super-ST has been built for future-thinking experimentation, so the ash body has been rounded off and contoured in all the right places and the solid roasted maple neck has been finished with the fast and familiar feel of an AZ Oval C carve, an ebony fretboard and a set of twenty-two stainless steel medium-jumbo frets - all in support of some serious work. This six-string revolution comes pre-wrapped in a form-fitting gig bag.The Ibanez Scott LePage Signature KRYS10: The AudacityMega-versatile tone and a tight and modern foundation is assured by two Fluence Custom Series humbuckers, and with the purpose-designed help of a Fluence Voicing switch, not one but three different profiles can be scrolled through per pickup, so the output can be flipped from a classic PAF-style to Hot Rodded; from vintage flavour, to light cleans; and from double to single-coil sound and back again - all within a blink of your little eye. Polished off with stable tuning, precise intonation and lush vibrational transfer, this model comes fitted with a full set of Gotoh MG-T locking tuners, a Graph Tech nut and a two-point Gotoh T1502 tremolo bridge.

Les mises à jour sur cette Gibson Modern Collection SG Standard établissent une nouvelle norme chez Gibson, sans rien perdre de ce style classique et brutal. Ainsi, ce modèle à double pan coupé propose toujours ce style emblématique tandis que le corps en acajou a été un peu plus arrondi afin d'améliorer le confort de jeu. Le long tenon et le manche en acajou avec touche en palissandre de 12 pouces complètent une base tonale riche en sustain, tandis qu'une paire de humbuckers avec aimant Alnico II offre bien plus qu'une simple ambiance vintage.SG Standard : sonorité passe-partoutLe 490T de la position chevalet propose la sonorité charnue exigée par les riffs serrés et les accords gras, tandis que le 490R de la position manche ajoute cette agréable rondeur et une définition raffinée. La large gamme de sonorités de gain modéré qui en résulte peut être sélectionnée par le sélecteur à 3 positions et un ensemble de potentiomètres de volume et de tonalité par micro. L'accastillage se compose d'un chevalet Nashville Tune-O-Matic en aluminium léger et d'un cordier Stop Bar. Un sillet Graph Tech et un ensemble de mécaniques Grover Rotomatics de haute qualité assurent une parfaite stabilité de l'accordage. Cette Gibson SG Standard est livrée avec un étui softshell.La marque GibsonFondée en 1902, la marque Gibson fait partie des pionniers dans la fabrication d'instruments de musique, en commençant par les mandolines. C'est en 1952 que la Les Paul sera commercialisée, suivie quelques années plus tard par les Flying V et Explorer puis la SG. On ne compte plus le nombre d'artistes ayant joué (ou jouant encore) sur ces célèbres modèles dont, notamment, Angus Young, Jimmy Page, Tony Iommi, Chuck Berry, Joe Bonamassa, B.B. King ou encore Frank Zappa.

Marco Sfogli is maybe one of the most influential guitarists that walks the Earth. Known for his work with Icefish and Dream Theater's own James LaBrie (among others), the maestro has finally been granted his very own signature model. The Charvel Pro-Mod So-Cal Style 1 Marco Sfogli Signature has been kitted out to match Sfogli's hyper-versatile playing, so this solid alder-bodied guitar has been given a full set of EMG pickups able to span everything from metal to jazz and fusion. The balanced active setup slaps an EMG89 humbucker at the bridge and an SA single-coil in the middle and neck positions which can be flipped into every conceivable configuration, and since the double-coil pickup can be split, the range is doubled. The Charvel Pro-Mod So-Cal Style 1 Marco Sfogli SignatureSince sound is nothing without style, this high-grade model comes topped with a slice of flamed maple and dipped in a Transparent Purple Burst paint-job that's set off by a black pickguard, while the control section has been stripped back a touch to a single tone, push/pull volume pot and five-way switch. The baked neck is finished with a caramelised maple fretboard with a comfy compound radius that graduates from a flattish 12 inches at the headstock to a flatter 16 inches at the body to support a snug grip on chords as well as licks. And as a neat final touch, full guidance is provided by a set of Luminlay side dots.

Le Symph EQ du fabricant Heritage Audio est un égaliseur stéréo conçu pour les applications de mixage et de mastering. Il possède un filtre high shelf et un filtre low shelf ainsi que des filtres pour éliminer les fréquences extrêmement hautes et basses. Comme vous pouvez vous y attendre de la part d'un égaliseur de qualité supérieure, le Symph EQ peut passer du mode L-R à M-S stéréo et tous les potentiomètres offrent des réglages de précision.Successeur de l'EQ BaxandallDepuis déjà plusieurs décennies, la conception de l'égaliseur de Peter Baxandall a servi de modèle à de nombreux égaliseurs high et low shelf, car le tracé de la courbe monte progressivement et se poursuit à l'infini. L'égaliseur Heritage Audio Symph EQ peut être considéré à juste titre comme le digne successeur de cette technologie. Cet égaliseur dit asymptotique possède un trajet de signal parallèle qui rappelle celui des célèbres égaliseurs passifs. Par conséquent, il n'y a pratiquement aucune déviation de phase.

Bien qu'Erick Hansel soit très progressif avec son groupe CHON, de nombreux guitaristes apprécieront sa guitare électrique EH10. Construit avec une précision scientifique, ce modèle arbore le bon look ainsi que le bon son. Il s'agit d'une version modifiée de l'Ibanez AZ Premium, cette nouvelle version d'un modèle de style ST bénéficie d'une finition mate, tandis que le manche doté d'un profil Oval C présente une finition huilée, ce qui vous donne une agilité immédiate dans la main parcourant les frettes. Vous pourrez jouer des notes et des accords avec une facilité déconcertante grâce aux 24 frettes jumbo, et comme elles sont en acier inoxydable, vous êtes assuré d'en profiter pendant plus longtemps que la moyenne. Conçue pour supporter des techniques complexes et créatives, la Ibanez Premium EH10 est livrée avec une housse et un multi-outil.Premim EH10 : configuration HSSi la configuration des micros HS est familière, la gamme de sons est en revanche légèrement différente. Le Seymour Duncan Hyperion en position chevalet vous offre des sons humbucker de style alnico avec un peu plus de punch, tandis que l'Alnico II Pro vous offre l'éclat classique d'un micro à simple bobinage des années 50. En plus d'un sélecteur micro à 3 positions, la EH10 dispose d'un switch coil-tap supplémentaire pour diviser le humbucker du chevalet et obtenir le son d'un micro à simple bobinage. Pour plus de stabilité et de plaisir de jeu, un sillet de Graph Tech TUSQ XL a été associé à un chevalet vibrato T1502 et à des mécaniques à blocage Gotoh MG-T.

Like a five-string bass-based explosion, the MonoNeon Signature edition of the Fender Jazz Bass V brings the colour as well as the sound - courtesy of a set of two Custom Fireball humbuckers. The body, pickguard and headstock-frontage have all been decked out in MonoNeon's favourite colours - immediately letting you know whose signature this bass comes stamped with, while fat yet mega-tight and ultra-variable sound is 100% guaranteed by the setup. And, to get this audiovisual whopper from gig to gig, it comes wrapped up in its very own Fender Deluxe gig bag.The Fender MonoNeon Jazz Bass V: 18V Active or Passive Double-Coil SoundBesides a master volume pot, the output of the two pickups can be brought to sublime balance via a blend pot, and by flipped the mini toggle switch, these pups can be geared up from passive into active mode and back again to split open a dayglo universe of high-grade amplified bass sound. In active 18 Volt mode, the MonoNeon Jazz Bass V supplies a three-band equalizer complete with boost and cut controls for the basses, mids and trebles - all of which comes drenched in a far more organic character than you'd get with standard 9 Volt active electronics.A Roasted Maple Bridge, Toploaded HiMass Bridge & Gold-Plated HardwareThe solid and stable roasted maple neck features a matching roasted maple fretboard complete with pearloid block position markers and a satin-gloss urethane finish, giving the modern-C profile an immediately smooth and snug feel. Extra stability is assured by a toploaded, five-saddle HiMass bridge, while the extra cool points are laid on by the gold-plated hardware. Crafted by MonoNeon himself (AKA Dywane Thomas Jr. and the man behind the tasty bass heard on tracks by massive names like Prince, Nas, Ne-Yo and more) this hyper-unique edition of a classic Fender basically brings all the goods - and then some.

Epiphone and the Gibson Custom Shop present the 1957 SJ-200: an affordable yet high-quality version of Gibson's own king of flat-tops. Boasting the lively and fully cultivated sound of a thermo-aged Sitka spruce soundboard that's supported by scalloped X-bracing, this Inspired by Gibson model will effortlessly take on styles like folk, country, acoustic rock and more, and look good doing it thanks to the deluxe flamed maple back and sides.The 1957 SJ-200: Played-In FeelTo make sure that the 1957 SJ-200 feels as broken in as it sounds, Epiphone and the Gibson Custom Shop have gone with a trusty C-profile maple neck, while the amplified sound is taken care of by a high-quality L.R. Baggs VTC preamp and an undersaddle pickup. The build has been polished off with various first-class finishing touches, like a Gibson-style open book headstock, pearloid graduated crown inlays, a Custom double diamond logo, an engraved pickguard and, as the icing on the cake, an Open J-200 Moustache bridge. Last but not least, Epiphone includes an Inspired by Gibson Custom hardshell case with every 1957 SJ-200.

If six strings don't tickle your fancy, then the Ibanez Premium AZ427P2QM 7-string electric guitar just might. Equipped with a pair of Seymour Duncan Hyperion 7 pickups, this extended-range guitar shapes tight Alnico 5-style sounds that can be toggled via a 5-way pickup switch and the Alter Switch of the on-board dyna-MIX10 system which gives you an extra ten voicings to frame your licks, riffs and chords with.The Ibanez AZ427P2QM: That Classic Seven-String FeelTopped with a stunning slice of quilted maple, the American basswood body lays down a mid-rich foundation sound and has been bolted to a satin-gloss-coated, oval-C roasted maple neck for a snug feel. The 12-inch-radiussed rosewood fretboard and stainless steel jumbo frets only enhance the playability, while the Graph Tech nut, Gotoh MG-T locking tuners and T1572S tremolo bridge take care of more than solid tuning stability.

Epiphone and the Gibson Custom Shop present the 1957 SJ-200: an affordable yet high-quality version of Gibson's own king of flat-tops. Boasting the lively and fully cultivated sound of a thermo-aged Sitka spruce soundboard that's supported by scalloped X-bracing, this Inspired by Gibson model will effortlessly take on styles like folk, country, acoustic rock and more, and look good doing it thanks to the deluxe flamed maple back and sides.The 1957 SJ-200: Played-In FeelTo make sure that the 1957 SJ-200 feels as broken in as it sounds, Epiphone and the Gibson Custom Shop have gone with a trusty C-profile maple neck, while the amplified sound is taken care of by a high-quality L.R. Baggs VTC preamp and an undersaddle pickup. The build has been polished off with various first-class finishing touches, like a Gibson-style open book headstock, pearloid graduated crown inlays, a Custom double diamond logo, an engraved pickguard and, as the icing on the cake, an Open J-200 Moustache bridge. Last but not least, Epiphone includes an Inspired by Gibson Custom hardshell case with every 1957 SJ-200.

The Ibanez Bass Workshop EHB1500 boasts a carefully considered combination of high-quality parts, turning this model into stand-out headless bass on multiple levels. Carved out of lightweight African mahogany, the comfortably chambered-and-contoured body is especially ergonomic and fully supports long playing sessions. It comes topped with a gorgeous poplar burl top and has been bolted to a 9-piece panga-panga/walnut neck for rich, balanced sound.The Ibanez EHB1500: Modern Sound, Versatility and Playing ComfortThe Nordstrand Big-Split pickups and extensive active tone controls allow you to steer the solid core sound in any preferred direction, while the MR5HS bridge fitted with custom headpieces ensures accurate tuning and intonation. Throw in the luminescent side dots, the Schaller S-Locks strap locks, removable finger ramp and the graphite rod-reinforced neck, and you've got an all-modern headless bass that's basically got it all.

The brutally graceful V-shaped mahogany body of this left-handed ESP LTD Deluxe Series Arrow-1000 says it all. The legendary force of the EMG 81/85 humbuckers and Floyd Rose tremolo bridge say it even louder. This sonic machine is built to perform heavy work, at super high-speeds. The uber-stable neck-through construction provides outstanding sustain and, combined with the subtle and refined cutaway, affords eased access to each of the twenty-four extra-jumbo frets along the ebony fretboard. The Floyd Rose Special tremolo bridge has even been mounted with a set of stainless steel screws to guarantee reliable tuning no matter how extreme the dive, meaning every inch of this metal machine has been carefully primed to slap a grin on the face of even the most discerning purist.

While best known for rocking EX-style guitars, in the early days of Metallica, James Hetfield frequently toted V-style guitars like his JH-1 Signature which can be seen in the music video for 'Whiskey in the Jar'. Following a collab with ESP LTD, Hetfield now drops the LTD Vulture: a slick V guitar that features the same tight contouring as the Snakebyte model and offers the comfort of a slanted round wing.The Vulture: Made for MetalIt's no surprise that the LTD Vulture comes decked out with high-quality parts, including a mahogany body armed with an EMG 'HET' pickup set to guarantee Metallica-grade sound. Made of mahogany as well, the thin U-profile neck adds a rich sonic touch to the foundation sound, while the ebony fretboard has been lined with 24 XJ frets to lighten the playing feel. Finished with LTD locking tuners and a TonePros locking TOM-style bridge, this fresh James Hetfield Signature electric guitar is satisfyingly stable and supports tight intonation.

The meaty ST-style sound of a three-pack of single-coils plus a heap of modern playability, high-precision Japanese build quality and a classy, classic finish. This is the Ibanez Prestige AZ2203N. The core of this high-spec electric guitar is formed by a solid alder body and bolted-on maple neck, which has undergone Ibanez's own S-Tech heated treatment to bake off any excess moisture and enhance both stability and durability.The Ibanez AZ2203N Prestige: Fluid Fret-NavigationA rosewood fretboard completes the construction and has been given a compound radius that starts at 8.98 inches at the headstock and ends at 12 inches at the body, immediately giving chords a tight and accurate feel while lead licks and riffs feel fluid and controlled. A durable set of stainless steel jumbo frets lighten the load on the fret-hand even further, and have been given the Prestige treatment, so any sharp edges have been smoothed down and rounded off for maximum comfort. And, to ease fret navigation, you get a set of mother-of-pearl position markers alongside a set of luminescent side dots.Custom Seymour Duncan Fortuna Pickups & Gotoh HardwareClear and defined sound filled out with a sweet punch and light mid-range scoop is expertly dished out by a set of three Custom Fortuna pickups, controlled by a single tone and volume pot and a five-way selector switch. Meanwhile, a Gotoh T1502S tremolo bridge supports subtle-and-refined to extreme vibrato tricks, and a full set of Gotoh Magnum Lock machine heads don't just firm up the tuning stability, but since these are the H.A.P. editions, the string angle as it threads through the bone nut can be accurately adjusted. This pristine Prestige offering comes pre-wrapped in a hardshell case complete with a multi-tool.

Dialling up the opulence, the large, curvaceous jumbo body of the Sigma Guitars SGJA-SG200 electro-acoustic features a refined solid Sitka spruce and flamed maple build that shapes big and lush, resonant sound. So this stunner of a guitar can be safely toted to rehearsals and gigs, it comes with a form-fitting SSC-GJ soft case.The Sigma Guitars SGJA-SG200: Life-Packed Amplified SoundThe core sound of this model is rich with full basses and tight trebles that pack the tone with complexity and life. This profile is amplified with faithful consistency by an internal piezo pickup combined with a high-grade LR Baggs EAS-VTC preamp. The system is especially easy to control via the neat set of volume and tone pots hidden just inside the soundhole, offering quick access when making any tweaks on stage. Endlessly playable, boasting an irresistible quality of sound and finished with the deluxe style and solid tuning of a set of gold-look Grover machine heads, this sixties-flavoured electro-acoustic guitar brings all the style.

Les mises à jour sur cette Gibson Modern Collection SG Standard pour gaucher établissent une nouvelle norme chez Gibson, sans rien perdre de ce style classique et brutal. Ainsi, ce modèle à double pan coupé propose toujours ce style emblématique tandis que le corps en acajou a été un peu plus arrondi afin d'améliorer le confort de jeu. Le long tenon et le manche en acajou avec touche en palissandre de 12 pouces complètent une base tonale riche en sustain, tandis qu'une paire de humbuckers avec aimant Alnico II offre bien plus qu'une simple ambiance vintage.SG Standard : sonorité passe-partoutLe 490T de la position chevalet propose la sonorité charnue exigée par les riffs serrés et les accords gras, tandis que le 490R de la position manche ajoute cette agréable rondeur et une définition raffinée. La large gamme de sonorités de gain modéré qui en résulte peut être sélectionnée par le sélecteur à 3 positions et un ensemble de potentiomètres de volume et de tonalité par micro. L'accastillage se compose d'un chevalet Nashville Tune-O-Matic en aluminium léger et d'un cordier Stop Bar. Un sillet Graph Tech et un ensemble de mécaniques Grover Rotomatics de haute qualité assurent une parfaite stabilité de l'accordage. Cette Gibson SG Standard est livrée avec un étui softshell.La marque GibsonFondée en 1902, la marque Gibson fait partie des pionniers dans la fabrication d'instruments de musique, en commençant par les mandolines. C'est en 1952 que la Les Paul sera commercialisée, suivie quelques années plus tard par les Flying V et Explorer puis la SG. On ne compte plus le nombre d'artistes ayant joué (ou jouant encore) sur ces célèbres modèles dont, notamment, Angus Young, Jimmy Page, Tony Iommi, Chuck Berry, Joe Bonamassa, B.B. King ou encore Frank Zappa.

The Breedlove Performer Pro Series Concert CE is built to handle all styles. This versatile electro-acoustic guitar boasts an all-solid construction, where the soundboard is made from European spruce and the back and sides are made from African mahogany to guarantee a clear, high-volume core sound. The compact concert-style body combines with a slender neck for a comfy playing feel, while the Fishman Flex Plus-T pickup takes care of tightly amplified sound. Finished with a beautiful soundhole rosette, body binding, and gloss lacquer, this instrument is certainly easy on the eyes too.

The new kid in the Deluxe Series line-up, the sublime D'Angelico Bedford Deluxe bears an exclusive offset body with two Seymour Duncan USA Stacked P90 pups planted at the neck and bridge to lay out an ultra-wide sonic spectrum. Toggle the three way switch and twist the single volume and tone pots to scroll through the rich and elastic tone these pickups have on offer, all of it framed by defined basses and tight trebles and mids, and all of it wiped clean of any 60-cycle hum.The D'Angelico Bedford Deluxe: Unique Comfort The solid and full foundation sound of this D'Angelico masterwork is laid down by the offset solid alder body, which has been finished with a maple neck and ebony fretboard to add some extra sonic punch and tighten up the attack. The neck boasts the familiar playing comfort of a C-profile carve and a slightly flatter-than-average 14 inch fretboard radius, lightening the feel beneath the fret hand while navigating the set of twenty-two ultra high-grade 47/104 Nickel Silver frets provided by Jescar. This Deluxe Series model has been polished off with a Wilkinson Six-Point Tremolo bridge for the necessary whammy-bar action and comes pre-wrapped in its own hardshell case.

Team it up with the Universal Audio OX-Amp Top Box and get the very best out of your valve amplifier - no matter the volume settings. Besides serving as a reactive load box, the OX-Amp is a highly efficient attenuator. Link your guitar amp to the dedicated Amplifier Output before opting to use this Top Box to reduce the amplifier output and gain the same sweet saturation while bringing things down to a more sociable level. Set it up as your personal reactive load and this Universal Audio designed widget can be used to capture and record the full, unfettered sound of your guitar amplifier in absolute silence. Simple plug in your headphones and send the sound of your amp directly to your DAW. In reactive load mode, the signal path from the amplifier to a speaker cabinet is simulated, and from there, you can select a built-in speaker and microphone combo preset to customise the virtual setup. The Best Vintage Sound & Modern Tech The OX-Amp Top Box basically sets you up with the best of two worlds: the authentic sound of your own amplifier pushed all the way into overdrive, and the technology that makes it possible to capture its sweet-spot in full. To record, just connect the Line Output of the OX Amp with the line-level input of your audio interface, and you're set up. Until now, getting that much-loved 'edge-of-breakup' sound out of your amplifier and guitar was a headache, but thanks to the Dynamic Speaker Modeling tech wrapped up inside this magic box, it's actually easy. With it, you can even simulate the details, like the speaker driver and even the 'cone cry'! A Studio Stacked with Vintage Cabinets & MicrophonesThanks to the stack of twenty-two state-of-the-art speaker cabinet and microphone combinations that come built in, every imaginable sound can be called up and matched with your amp. The impulse responses on offer vary from vintage to modern and sound exactly like they should: dynamic and natural. What's really impressive is the feel while playing through the setup - since it gives you the full and spacious experience of playing through a cab set up in a live room. Via the Room Mics, the room sound can even be mixed in to give the direct sound of your amplifier a more realistic character. iOS App Support & Studio-Quality EffectsVia the partnered iOS app you gain access to every available speaker and microphone configuration, alongside a massive library of Universal Audio's own renowned audio effects, including the 1176 studio compressor and stereo plate reverb - all provided to help produce album-ready recordings. The app boasts a slick and intuitive overview that's navigated with ease, but to really get the best out of the Top Box, it's worth having a good WiFi connection and an iPad to hand. In the app, you also get to browse through a list of 125 'Rigs' and directly assign six of them to the Rig pot fitted on the front panel of the box. Every preset is made up of a selection of microphones, each carefully placed in front of a high-quality, simulated speaker cabinet. Basically, the OX-Amp Top Box is an all-in-one solve when it comes to recording a valve amplifier without having to mess around with cabinets.

Ecran gamer 43 - Résolution 4K (3840 x 2160) / Fréquence de rafraîchissement de 144 Hz / Technologie High dynamic range (HDR) / 4 HDMI - 1 Display Port

Carefully put together in the Ibanez Bass Workshop, the SRMS725 multi-scale 5-string bass offers bassists the extended range and snug feel of a scale length that graduates from 35.5 to 34 inches, resulting in a slightly tightened-up B-string that's easier to intonate for clearer lows while the higher strings have the more loose feel needed for supple licks and high melodies. At the same time, the Soundgear-style okoume body, bolt-on SRM5 five-piece maple/walnut neck and the 12-inch-radiussed, panga-panga fretboard combine to offer optimum playing comfort.The SRMS725: Fishman Fluence Voice Select SwitchThe two Fluence Bass Soapbar pickups from Fishman lay down a much cleaner foundation sound than traditional wound bass guitar pickups and have been wired up to a Fluence Voice Select 3-Way Switch to give you the pick of three different core sounds: classic, dynamic and Hi-Fi. Pop out the volume pot and the double-coil sound turns into single-coil sound, giving you even more options before you've even tweaked the Balancer pot to dial in your preferred blend of both Soapbars, or played around with the powerful 3-band EQ complete with bass and treble boost and cut options for the perfect low, mid and high balance.

The Jupiter JTS700Q is a versatile and dependable tenor saxophone for students and advanced players alike. Made from first-rate brass coated in gold lacquer for increased durability, this 700 Series model boasts warm and balanced sound supported by a swift response, well-placed keys and ergonomic playability.The JTS700Q: High Expressive PotentialPacking ample expressive potential, this Jupiter tenor saxophone is suitable for various styles and even comes complete with a mouthpiece and a sturdy transport case so you can keep it in good nick. If you're looking for an affordable model to help you take your sax game to the next level, the JTS700Q might well be it.

En collaboration avec Andy Timmons, Ibanez présente ce modèle signature Premium ATZ. Cette guitare électrique ATZ10P offre un savant mélange des caractéristiques des guitares AZ Premium et de la précédente guitare AT10 d'Andy. Tout d'abord, le chevalet vibrato Wilkinson WV6-SB fait un retour bienvenu et vous permet d'ajouter de subtils effets de vibrato à des notes ou des accords en déclin. Pour compléter le tout, la ATZ10P est équipée des micros DiMarzio préférés de Timmons, dont un humbucker AT-1 en position chevalet pour un son PAF 36th Anniversary avec un peu plus d'énergie et des micros The Cruiser en position manche et centre.ATZ10P : une flexibilité tonale et une sensation fiable et légèreEssentiellement des humbuckers dans un boîtier à simple bobinage, les deux micros DiMarzio The Cruiser façonnent des graves impeccables, des aigus brillants et des harmoniques presque vocales avec juste ce qu'il faut d'overdrive ou de distorsion pour garder le timbre intact. En plus de la disposition traditionnelle composée d'un potard de volume, de deux potards de tonalité et d'un sélecteur micro à 5 positions, ce modèle Ibanez Premium Andy Timmons est également doté d'un sélecteur coil-tap pour le micro du chevalet offrant encore plus de polyvalence. Le manche ATZ, de forme familière, est fabriqué en érable torréfié avec une finition huilée agréable et se combine avec un radius de touche de 12 pouces et 22 frettes jumbo pour bénéficier d'une sensation de jeu fiable et d'une grande légèreté. Enfin, Timmons et Ibanez ont opté pour des mécaniques Gotoh MG-T et un sillet Graph Tech afin de renforcer la stabilité de l'accordage et permettre des changements de cordes rapides.

A thick and solid Ibanez HSH configuration reinforced by the ultra-varied output of Premium Series electronics and the supreme playability of masterful, Japanese build quality: the Ibanez AZ47P1QM electric guitar offers plenty in return for your hard-earned cash. Naturally, you get the legendary tone of a full DiMarzio-designed pickup set, where the Tone Zone humbucker at the bridge delivers high-gain double-coil sound, the Air Norton humbucker at the neck lays on harmonic richness, and the True Velvet in the middle spits vintage-flavoured single-coil bite. Even with just a five-way switch, this setup already supplies an immense sonic array, but add on that dyna-MIX10 system and the range of voicings is immediately doubled.The Ibanez AZ47P1QM: Premium Construction, Comfort & TuningIt's not just the gold-plated hardware or the liquid-look of the quilted maple top that lend this Ibanez offering its distinct Premium Series flair, but the expert construction and detailing. The American basswood body lays down a powerful and hefty foundation sound and has been coupled with a super-stable bolt-on roasted maple neck that boasts the agile playing feel of an oval C-profile and oiled finish. A set of highly-durable stainless-steel frets lighten the load on the fret hand to support near-effortless lead and rhythm work, while the smooth action of the Gotoh T1502 tremolo bridge is harnessed to inject rapid, subtle vibratos. The set of Gotoh MG-T locking tuners don't just speed up string changes either, but have been teamed up with a Graph Tech nut to ensure outstanding tuning stability.

Following the release of the popular Limited Editions, D'Angelico now present the standard version of the Deluxe Series Atlantic models. That said, this single-cut electric guitar is anything but standard and actually looks awesomely unconventional. It features two Seymour Duncan Seth Love A4 humbuckers that are able to lay down full, mid-range-rich sounds and can be split via the push-pull tone controls for even more tonal variation. Meanwhile, the combination of an ebony fingerboard and an elegant cutaway provides both high playing comfort and full access to the 22nd fret, and so you can keep the Solid Black finish scratch-free, D'Angelico include a matching case.

Pour les DJ ou les artistes se produisant en direct devant un public et recherchant un système sono actif polyvalent, pratique et avec une table de mixage, LD Systems propose le système DAVE 15 G4X. Il se compose d'un caisson de basses actif de 15 pouces et de deux enceintes satellites de 8 pouces au design unique. Ainsi, les enceintes sont équipées de deux tweeters HF pour une diffusion améliorée des hautes fréquences avec moins de distorsion. De plus, les enceintes intègrent un guide d'ondes, ce qui permet de mieux contrôler la projection et de réduire les décolorations sur l'axe horizontal. Il est possible d'utiliser le système DAVE 15 G4X sous deux configurations différentes pour une utilisation stéréo classique ou avec les deux satellites mises côte à côte et montées sur une barre en T au-dessus du caisson de basses (mode Cluster).Connexions pour micros, instruments ou sources ligneAussi bien le caisson de basses de 15 pouces que les deux enceintes médium/aigu intégrant chacune un woofer de 8 pouces sont spécialement conçus pour fournir un volume élevé avec pratiquement aucune distorsion. Le caisson de basses est également doté d'un boîtier Bass Reflex qui le rend encore plus efficace pour une restitution impeccable des basses. Il y a également de nombreuses possibilités de connexion disponibles sur la table de mixage intégrée. Vous pouvez y connecter des micros, des instruments et des signaux stéréo. Cependant, la connexion SPDIF pour les sources numériques haute définition ainsi que la connexion Bluetooth pour transmettre de la musique sans fil sont les atouts majeurs. Les deux premiers canaux disposent d'un contrôle de la tonalité High et Low et d'un bel effet reverb avec plusieurs presets.