The freshest generation of high-grade mediaplayers has arrived: the CDJ-3000. In this combo pack, you get two of them in combination with the legend that is the DJM-V10. This complete pack gives you everything you need to DJ at a professional level and more than enough potential to expand and grow, since up to six CDJ-3000s can be controlled via Pro Link, and the six-channel DJM-V10 is already fully prepped to handle them all.

KISS is undoubtedly one of the most-loved rock bands of all time. Known for putting on a big, bombastic show, it's little wonder that KISS rhythm guitarist, Paul Stanley has reached a new high in flamboyance in the form of the Ibanez Paul Stanley Signature PS3-CM electric guitar. This extravaganza of a showpiece comes fully loaded with the goods, all framed against a truly unique Black Cracked Mirror finish. This stunning KISS collector's item comes complete with a deluxe case and certificate of authenticity. The Ibanez Paul Stanley Signature PS3-CM Black Cracked Mirror: Japanese FinesseBeneath the tastefully destroyed paint-job lies a solid African mahogany body with a maple top, laying down an acoustic tone with plenty of warmth backed up by a touch of bite. Since this model has been directly based on Stanley's actually guitar, the cracked mirror is anything but random; it's a precise recreation of the original finish, where each piece of broken mirror has been remade in acrylic shards before being carefully laid on the maple top by hand in the ESP workshop in Japan. Add on the two-piece Seymour Duncan humbucker load-out, and you get the full power of a Custom 5 at the bridge and the necessary warmth of a '59 at the neck, completing full and expertly balanced output.A Solid BaseThe build of the Ibanez PS3 has been polished off with a three-piece maple neck, which doesn't just boost the overall stability, but enhances the resonance while the deluxe ebony fretboard speeds up the response. To support light and controlled playability, Stanley has opted for a set of twenty-two medium frets, each finished with the Ibanez Prestige fret-edge treatment to guarantee a smooth and comfortable ride all the way up the neck. Meanwhile, solid tuning and precise intonation is assured by a Gotoh bridge and Gotoh tuners.

The Neumann USM 69 i has been outfitted with two capsules, five selectable pickup patterns and two independent signal paths, making this high-end stereo condenser microphone ideal for X/Y, M/S and Blumlein set-ups. The second capsule can also serve as a backup by aiming both capsules forward and turning the gain of one of the capsules down so that, if the musician plays louder than expected, there's always a second, undistorted take to work with.

This Apogee Symphony I/O MK2 audio interface has it all: four high-quality Hi-Z instrument inputs, eight superb preamps, eight inserts, ADAT, S/PDIF and AES/EBU ports, and a Pro Tools Option Card connector. The audio quality, conversion and preamp performance on offer are unmatched and combine with a stunning touch-display to help you polish off flawless productions. Basically, if you're after the best of the best, the Symphony I/O MKII is where it's at.

Crafted from nothing but high-quality materials, the Jupiter JBS1100 combines traditional craftsmanship with modern manufacturing techniques, resulting in rich sound and a level of playability fit for both pros and students. This elegant baritone saxophone features a Sona-Pure neck and an exquisite brass body to ensure excellent tonal clarity and a dark, vintage-esque timbre, and comes complete with a mouthpiece and a deluxe case so you can safely get it to gigs and rehearsals in style.The JBS1100: Nuanced Yet Powerful Baritone SoundBesides gold-plated keys, the JBS1100SG boasts adjustable palm keys, an adjustable steel thumb hook and PISONI pads with metal resonators - everything you need to customise the playing feel to match your preferences and experiment with the expression in your sound during your solos. Meanwhile, the range extends all the way down to the low A, and Jupiter has polished the instrument off with a detachable floor peg for extra comfort and safe storage.

Built with love and care in the ESP Custom Shop in Japan, the high-precision ESP Guitars James Hetfield Signature Vulture is a sonic and aesthetic masterclass of a guitar - specifically designed for a master guitarist. This is one of Hetfield's favourites and, like every guitar he deems worthy, this model comes furnished with a solid mahogany body with a set-in mahogany neck, forming a solid tonal foundation with a nicely fierce attack. The ebony fretboard adds a deluxe touch and enhanced playability while filling out the acoustic tone some extra body, and a TonePros Locking TOM bridge and matching tailpiece combine to boost the stability.The ESP Guitars James Hetfield Signature Custom Shop Vulture: Big Look, Big SoundThe Vulture doesn't just look imposing but sounds it, all thanks to a full pack of James Hetfield's own EMG pickups. These balanced humbuckers lay out the definition and punch of passive dual-coils alongside the power of active pickups, giving you the best of both worlds. The fitted set of locking tuners guarantee solid tuning, no matter how hard the riff work gets, and feature a smart thumb-screw design to help speed up string-changes. High-grade performance from the lower bout to the finessed headstock, the ESP James Hetfield Signature Vulture comes complete with a form-fitting ESP case.

The Neumann USM 69 i has been outfitted with two capsules, five selectable pickup patterns and two independent signal paths, making this high-end stereo condenser microphone ideal for X/Y, M/S and Blumlein set-ups. The second capsule can also serve as a backup by aiming both capsules forward and turning the gain of one of the capsules down so that, if the musician plays louder than expected, there's always a second, undistorted take to work with.

Une fois ce modèle 5 cordes 21-5 Vintage M/J Bass en main, vous remarquerez immédiatement pourquoi les basses électriques de la série Masterbuilt du prestigieux constructeur Sadowsky sont si populaires ! Son corps confortable de style jazz est fabriqué en frêne des marais américain agréable et léger et est solidement vissé à un manche en érable torréfié présentant un familier profil en C et un radius de touche confortable de 12 pouces. Outre une basse 5 cordes de qualité remarquable, vous profiterez également d'un certificat d'authenticité et d'une housse Sadowsky Professional Road Bag, de clés hexagonales et de Sadowsky S-security locks.MasterBuilt 21-5 Vintage M/J Bass : une polyvalence remarquable !Non seulement la corde Si (B) grave supplémentaire montée sur cette 5 cordes vous offre une polyvalence supplémentaire, mais vous avez également un choix sans précédent en termes de sonorités avec cette basse de qualité allemande singée Sadowsky. En position intermédiaire, vous disposez d'un micro à simple bobinage stacké pour des sons jazz sans bourdonnement. Pour les moments où vous nécessitez davantage de corps et d'ampleur, optez pour le humbucker de style MM en position chevalet. Le Vintage Tone Control et l'égaliseur 2 bandes composant l'électronique active choisie par Sadowsky vous offrent déjà de nombreux de sons de basse, mais via les deux switches à 3 positions, chaque micro ouvre sur pas moins de trois fois plus de possibilités ! Bien entendu, les mécaniques ouvertes allégées et le sillet Just-A-Nut III sont là pour assurer une intonation et une stabilité à la hauteur du reste de cette cinq cordes de pointe !

For years, the Neumann U 87 Ai has been one of the most popular large-diaphragm condenser microphones for vocals. This studio legend is also ideal as an overhead mic for drums and for recording pianos, where you'd need two. That's where the U 87 Ai MT stereo set comes in since it bundles up two of these first-rate studio mikes plus a pair of matching shock mounts - all wrapped up in a deluxe case.The Neumann U 87 AiThe U 87 Ai's popularity is mainly due to its unrivalled sound quality. Instruments get an extra dose of presence which means there's less work to do to make them stand out when mixing. Equipped with a high-pass filter and a -10 dB attenuator, the U 87 Ai is also capable of capturing sound with a cardioid, omnidirectional or bi-directional polar pattern.

Une expérience qui va au-delà du simple visionnage de film avec le téléviseur QLED 4K QE98QN90A de Samsung . Conçu pour vous assurer une qualité d'image incroyable, qui vous coupera littéralement le souffle. Oubliez tout ce que vous pensiez savoir sur les téléviseurs, Samsung révolutionne la LED avec sa gamme Neo QLED 4K . Des dizaines de milliers de Quantum Mini LED répartis sur la dalle pour garantir une image précise et lumineuse avec des contrastes profonds. Le nouveau processeur Neo Quantum Processor 4K associe performance et intelligence pour transformer tous vos contenus en 4K et optimiser les différents réglages de luminosité et de son. Quelle que soit la lumière ambiante, profitez de tous les détails de l'image grâce à un contraste incomparable et un pic de luminosité jusqu'à 2000 nits à l'aide du Quantum HDR 2000 . Ne manquez plus aucun détail dans les scènes lumineuses ou dans les scènes les plus sombres, ainsi luminosité et couleurs sont optimisées scène par scène, que la source soit aux formats HLG , HDR10 ou au nouveau format HDR10+. Profitez d'une image 4 fois plus détaillée et précise qu'en full HD avec le téléviseur QE98QN90A . Le système audio accompagne la superbe qualité d'image pour vous emmener de votre canapé au cœur du film. Les haut-parleurs et le traitement de l'audio collaborent avec la technologie Dolby Digital Plus pour assurer un son immersif, élevant le divertissement vers de nouveaux niveaux. Des haut-parleurs autour de l'écran pour une meilleure immersion sonore, avec le système OTS , le son suit le mouvement d’un objet à l’écran pour une expérience sonore plus réaliste (système 4.2.2). Un téléviseur intelligent et intuitif ! Accédez aux paramètres populaires par simple pression d'un bouton. Épinglez vos favoris, comme des applis de streaming vidéo, à votre écran d'accueil, pour ne voir que ce que vous utilisez. Choisissez votre assistant vocal préféré ( Google Assistant , Amazon Alexa , Bixby ) et contrôlez votre téléviseur avec votre voix grâce à un tout nouvel écran d’accueil offrant plus de commodité et de contrôle. Votre nouveau téléviseur QLED 4K est prêt pour l'action, celui-ci prend en charge le HDMI 2.1 avec High Frame Rate ( HFR , cadence élevée ), Variable Refresh Rate ( VRR , taux de rafraîchissement variable ) et AMD FreeSync Premium Pro pour de nouveaux niveaux de réalisme, exigés par la plupart des consoles de jeux vidéo. Côté connectique, il possède trois ports USB et quatre entrées HDMI pour accueillir facilement votre contenu USB ou encore votre ensemble Home Cinéma.

Vous connaissez certainement Jeff Bridges pour son rôle dans le film The Big Lebowski, mais ce que vous ne savez peut-être pas, c'est que cette star américaine est aussi un musicien passionné et un défenseur de l'environnement. Il n'y a donc rien d'étonnant à ce qu'il se soit associé à Breedlove Guitars en 2020 pour concevoir cette superbe guitare électro-acoustique folk en finition Bourbon Burst Gloss. Cette guitare Jeff Bridges Signature Oregon Concerto CE présente une facture de qualité supérieure réalisée dans le souci du détail à Bend, dans l'Oregon, USA. En prime, une housse spéciale et un certificat d'authenticité signé par Jeff Bridges sont inclus.Jeff Bridges Signature Oregon Concerto CE : sonorité impressionnanteLa Breedlove Jeff Bridges Signature Oregon CE possède une caisse de résonance de type concerto entièrement construite en myrte massif (ou laurier de Californie). Cette essence donne à la guitare un son de base puissant et réactif comparable à celui d'une dreadnought. Le myrte est un bois spécial qui combine les basses profondes du palissandre avec l'éclat enchanteur du koa. Il présente également un aspect très particulier grâce aux nervures uniques du bois. Chaque exemplaire a donc une apparence particulière. Même amplifié, le son est restitué avec brio grâce au système LR Baggs TRU-Mic intégré et aux commandes de volume et de tonalité soigneusement dissimulées dans la rosace.Projet All in this TogetherCette Breedlove Jeff Bridges Signature Oregon Concerto CE fait partie du projet All in this Together. Ce projet est destiné à soutenir l'Amazon Conservation Team, une équipe qui travaille en partenariat avec des collègues indigènes pour protéger les forêts tropicales et la culture traditionnelle. Ce slogan orne la touche en ébène de teinte foncée. Les petits détails, tels que les mécaniques satin gold et le sillet de tête Graph Tech TUSQ, montrent que chaque détail de cette guitare folk a été soigneusement étudié. Vous entendrez et ressentirez cette passion pour la guitare en jouant. En définitive, il s'agit d'un instrument dont vous pourrez profiter toute votre vie et qui fera de nombreux jaloux.

The Roland LX Series is the cream of the crop when it comes to digital pianos that look like traditional acoustic uprights, and here, you're looking at the flagship: the LX-9. Unlike its flat and compact counterparts, this digital piano is designed to be the centrepiece in the living room, and as you might expect, it's filled to the rafters with the latest technology.The Sound of the Roland LX-9Roland has equipped the LX-9 with a physical modelling sound engine, which goes a few steps further than your standard sample-based engine. Based on parameters such as string length, string tension, damping and resonance, the built-in Piano Reality Modelling engine simulates sound with convincing realism and without any compromises, resulting in a digital piano sound that's virtually indistinguishable from the sound of acoustic pianos.Other HighlightsIn addition to traditional piano sound, the Roland LX-9 offers up E-pianos, a harpsichord, a vibraphone, a choir, strings, organs and more, for a total of 324 different on-board sounds. Add that to the technically unlimited polyphony, the built-in Roland Piano App support and the various inputs and outputs, and you've got everything you would want from a high-end digital upright and then some.

The Roland LX Series is the cream of the crop when it comes to digital pianos that look like traditional acoustic uprights, and here, you're looking at the flagship: the LX-9. Unlike its flat and compact counterparts, this digital piano is designed to be the centrepiece in the living room, and as you might expect, it's filled to the rafters with the latest technology.The Sound of the Roland LX-9Roland has equipped the LX-9 with a physical modelling sound engine, which goes a few steps further than your standard sample-based engine. Based on parameters such as string length, string tension, damping and resonance, the built-in Piano Reality Modelling engine simulates sound with convincing realism and without any compromises, resulting in a digital piano sound that's virtually indistinguishable from the sound of acoustic pianos.Other HighlightsIn addition to traditional piano sound, the Roland LX-9 offers up E-pianos, a harpsichord, a vibraphone, a choir, strings, organs and more, for a total of 324 different on-board sounds. Add that to the technically unlimited polyphony, the built-in Roland Piano App support and the various inputs and outputs, and you've got everything you would want from a high-end digital upright and then some.

So powerful it might be intimidating, the Antelope Audio Galaxy 32 Synergy Core audio interface and AD/DA converter supplies a Thunderbolt 3 port, a Dante port, a Pro Tools HDX port, thirty-two analogue inputs and outputs - and via the digital HDX, MADI and Dante ports - up to sixty-four simultaneous input and output channels. Basically, this interface creates a bridge between your existing hardware and systems, presenting a fully optimised workflow while taking up just 1U of rack space. Besides the eye-watering amount of I/O options, the Galaxy 32 provides high-resolution conversion and 64-bit Acoustically Focused Clocking (AFC), meaning that your studio just got better than ever. Unrivalled Audio Quality The exceptionally spacious and incredibly detailed stereo soundstage of all Antelope Audio interfaces is already unrivalled, and it's the 64-bit AFC that's largely responsible for this level of quality. This couples with the ultra-transparent conversion and the roomy 130 decibels of headroom. Basically, everything that any professional mixing and recording engineer could ever dream of. 128 Real-Time Effects Over 32 Channels Then there are the effects that come with the Synergy Core platform. The Galaxy 32 is set up to apply and edit eight effects per channel, which amounts to 128 effects that can be tweaked in real-time, and all of it happens inside the interface, easing the load on the processor of your computer and leaving your CPU free to take care of other essential tasks. As standard, thirty-seven effects come included and new effects can always be purchased on the Antelope Audio site. And, as you'd only expect, the sound of every effect comes as close as it gets to the original hardware they emulate. Firmware Update for Mixing in Dolby AtmosAfter a firmware update, the Galaxy 32 can be set up to mix in immersive 9.1.6 Dolby Atmos, and within the sixteen channels, you're free to do whatever you want with the internal routing and Synergy Core platform effects. The update also adds a new speaker management tab to the Galaxy 32 mixer environment, so you can feed the channels where needed. A list of surround sound formats is also offered along with the option to create your own custom formats, and from there, you can select your surround sound delay, EQ and surround level; keep a close eye on the metering; keep the lower frequencies in check via the LFE crossover mixer; and adjust the high and low pass filters as preferred. Essentially, when it comes to this feature, the Galaxy 32 Synergy Core is probably unbeatable.

Le téléviseur 98XMQLED98 de TCL est doté d’un écran QLED de 248 cm qui offre une qualité d'image lumineuse et colorée grâce à son filtre de nanocristaux Quantum Dot . Traversé par la lumière, les couleurs sont sublimées, offrant ainsi l’image la plus précise. Sa technologie 4K HDR Premium 5000 garantit un superbe contraste, des détails précis et une luminosité saisissante. Grâce à la technologie HDR (High Dynamic Range) le rendu de chaque scène est amélioré, avec un contraste riche et une luminosité équilibrée, garantissant une reproduction précise des couleurs et une qualité d'image ultra réaliste. Son HDR multi-format assure une qualité d’image incroyable qu’importe la source ! Vivez une expérience sonore immersive ! Le Dolby Atmos garantit un son à couper le souffle avec une clarté, une richesse, des détails et une profondeur impressionnante. Ce Smart TV vous permet d’accéder facilement et sans fil (via Wifi) à vos contenus préférés grâce au large choix d’applications disponibles. Avec son système d’exploitation Android, vous pouvez explorer des milliers de films, d’émissions, de jeux et obtenir des réponses à vos questions sur grand écran. Compatible avec l’ assistant vocal Google , vous pouvez utiliser votre voix pour contrôler votre téléviseur et autres appareils connectés de la maison. Le téléviseur 98XMQLED98 dispose du processeur Quad Core quadricœur. Puissant, il offre entre autres une plus grande mémoire cache pour un fonctionnement fluide, et plus de stockage pour les applications que vous aimez.

In a nutshell, the Neumann M 149 boasts unsurpassed sound and can be set up in countless different ways thanks to its multi-pattern design. Loaded with the same capsule as the German brand's legendary U 47 and M 49 microphones, this high-end, universal studio microphone brings the vintage sound of jazz records from the fifties up to 21st century standards without sacrificing any of that old-school charm and, unlike most other tube microphones, it can handle high sound pressure levels and, at the same time, capture extremely quiet sources. From drums to Spanish guitars, the Neumann M 149 is able to capture every sonic nuance.

Built according to Gary Willis' favourite specs, the Ibanez GWB1005-NTF 5-string bass is armed with a passive Bartolini GWB bridge pickup and a Bartolini NTBT 2-band EQ. You also get a finger ramp that supports extra-dynamic performances, and even the tuning buttons have been customised to Gary's taste and feel especially comfortable. Add the sound of the solid alder body, the maple neck and the ebony fretboard and you've got a build recipe that's perfect for jazz.Going FretlessGary Willis is a true jazz legend and a master when it come to playing fretless bass guitars. Needless to say, this signature model doesn't come with any frets and, while it may take a while to get used to, it's definitely worth getting to grips with since the resonance is superior compared to fretted basses. In addition to jazz and funk, this high-spec, Japanese-made bass can take on a wide variety of styles and puts you in total dynamic and tonal control.

Part of the 2023 run of Mid-Year LTD Series models, the Fender Custom Shop presents the singular Limited Edition Reverse '50s Telecaster. This one-off Tele comes in a Relic Aged Black nitrocellulose lacquer and features an authentic worn-in feel and has been stamped with the serial number, R125768. This limited edition electric solid body has definitely been put together specially for the more discerning Tele connoisseur, and while has the vibe of a model that's seen decades of touring life already, it comes complete with a deluxe hardshell case as well as a matching strap and a Certificate of Authenticity.The Fender Limited Edition Reverse '50s Telecaster: So Much to EnjoyThe playability of this unique model is just as satisfying as the naturally matured finish. The Nocaster body is built out of two pieces of ash joined by a specially developed offset seam. The neck is made of one piece of stable, high-density rift-sawn maple and has been given a 1957 Soft V carve, providing the thumb of your fret-hand with a smooth path all the way up the fretboard. At the heel pocket, a Limited Edition four-bolt neck plate, tastefully engraved with the Fender Custom Shop logo and serial number, has been mounted to complete the exclusive vibe.Expressive Fifties Nocaster SoundTo pack this guitar with authentic fifties-era Tele sound, the Limited Edition Reverse '50s Telecaster doesn't just boast a pair of hand-wound Custom Shop '50/'51 Blackguard single-coils, but Modified Nocaster wiring and a more practical reversed control plate where the three-way switch is shifted to the back. The bridge pickup has also been reversed to tighten up the basses and round of the trebles, polishing off that tasty and timeless twang and bite with more expressive potential than ever. Meanwhile, three compensated brass saddles prevent the trebles from getting too shrill and help deepen the tone overall by balancing the basses and sweetening the mids. And, to finish, the fretboard has been decked out with a set of twenty-one Medium Vintage 47095 Jescar frets and the compound radius warps from an ultra-round 7.25 inches at the headstock to a more standard 9.5 inches at the body, easing string bends and supporting comfortable hammer-ons, pull-offs and chord grabs.

The Gibson Les Paul Supreme is back, bringing some sweet, high-end upgrades and mods with it. This sublime single-cut solid body retains the timeless Gibson-grade deluxe look of a triple-A figured maple top, but beneath all that tradition, you'll find a mahogany body that's been treated to some ultra-modern weight-relief, lightening the load and completing a stunningly balanced instrument. The mahogany neck has been set-in for that all-important resonance and stability while the heel has been specially rounded off with a modern contoured heel, granting comfortable access to the higher frets.The Gibson Les Paul Supreme: Chic PlayabilityThe dark ebony fretboard doesn't just add a chic look to the whole deal, but features a compound radius that shifts from flat at the headstock to even flatter at the body, supporting a firm grip on chords and riffs lower down and accurate control over licks and leads further up. The mother-of-pearl Super-Split block fretboard inlays, which extend to the headstock, are also something to behold and hark right back to the original models that Gibson was building in the forties.Warm Rock Sound + All the OptionsThe top, the fretboard, and the headstock of this Supreme edition LP have been outlined with fresh white binding to complete the high-grade aesthetics. Meanwhile, the core sound packs all of that rich and familiar woody warmth, all framed by a light punch, and when amplified, this is translated with awesome finesse. The Burstbucker Pro+ at the bridge packs a touch more gain than the sweeter Pro variant at the neck, completing stunning tonal balance. Via the push-pull coil-tap and push-pull pure bypass/phase switches, this guitar can be taken through a world of sound. For good measure, Gibson has thrown in a hardshell case.

The Golden Age Audio GA-8000 is based on popular microphone that was all the rage in 1990s. This valve-based condenser microphone sounds much less woolly than its vintage German counterparts from the '50s and '60s. Instead, it has an exceptionally clear and airy sound - something that's already made many R&B artists and rappers fall in love with it. While valve microphone are infamous for their high noise floor, saturated and sometimes even distorted sound, the GA-8000 does away with all of that via a unique internal temperature regulation system that keeps the electronics inside at a constant operating temperature. The result is a low noise floor that meets today's standards and minimal harmonic distortion.

The Roland LX Series is the cream of the crop when it comes to digital pianos that look like traditional acoustic uprights, and here, you're looking at the flagship: the LX-9. Unlike its flat and compact counterparts, this digital piano is designed to be the centrepiece in the living room, and as you might expect, it's filled to the rafters with the latest technology.The Sound of the Roland LX-9Roland has equipped the LX-9 with a physical modelling sound engine, which goes a few steps further than your standard sample-based engine. Based on parameters such as string length, string tension, damping and resonance, the built-in Piano Reality Modelling engine simulates sound with convincing realism and without any compromises, resulting in a digital piano sound that's virtually indistinguishable from the sound of acoustic pianos.Other HighlightsIn addition to traditional piano sound, the Roland LX-9 offers up E-pianos, a harpsichord, a vibraphone, a choir, strings, organs and more, for a total of 324 different on-board sounds. Add that to the technically unlimited polyphony, the built-in Roland Piano App support and the various inputs and outputs, and you've got everything you would want from a high-end digital upright and then some.

This solid slice of the Fender legend harks back to 1958, bringing far more than just a high-spec Strat, but a goosebump-inducing collector's item. Meet the Fender Custom Shop Time Machine Series '58 Strat Relic. 1958 would be the final year that Fender would grace their models with one-piece quarter-sawn maple necks, just before Leo Fender made the step over to the rosewood 'slab' fretboards that would totally transform the sound. Due to their unbelievable level of stability and naturally sweet and clear tone, the Strats that were built in 1958 are fiercely sought after, and the '58 Strat Relic is a deep nod to all of that glory - plus a few welcome modifications.The Time Machine '58 Strat Relic: Authentic FinishEchoing the 1958 original, the Custom Shop have given this model a two-piece body carved out of hand-selected alder, giving it an immediately familiar and friendly foundation sound while the hand-applied wear and tear gives every example the played-in look and feel of a model that's seen some hefty touring schedules. The highly-resonance one-piece maple neck has a super-snug 1954 Soft-V profile, has been coated in an ultra-thin nitrocellulose lacquer, and couples with the 9.5-inch fretboard radius and a classic pack of twenty-one narrow-tall 6105 frets to complete effortless, Custom Shop style playability. Authentic SoundThe Fender '58 Strat Relic spits the wide-ranging, 100% authentic sound of three Custom Shop Hand-Wound Fat '50s Single-Coil Strat pickups. As a nice bonus on the side, a Tone-Saver treble bleed circuit has been fitted to keep the trebles fully in tact, retaining full and flawless sound no matter the volume level, while the smooth action of a Custom Shop Vintage Synchronized Tremolo bridge polishes off the high-grade hardware setup. Like every instrument that leaves the Custom Shop floor, this love-note of a guitar comes complete with a deluxe case, a strap and a certificate of authenticity.

A master of a workstation keyboard, the Yamaha Genos 2 comes brimming with every function you could ever wish for. From stunning sounds and styles to a fitted microphone input, this performance-grade keyboard has been fully set up for the stage. Yamaha have been considered the industry standard in workstations since the nineties and have been honing and perfecting their advanced models ever since. In the form of the Genos 2, Yamaha take massive creative strides forward by including future-thinking details such as the enormous, full-colour touchscreen display, the responsive bank of faders and encoders, and the smooth feel and action of the keyboard itself.The Yamaha Genos 2In return for the high investment, this model brings the highest level. With cheaper keyboards, both quantity and quality are compromised, but with the Genos 2, you're getting quantity and quality in truck-loads. This model blends Yamaha's AWM sample engine with an AWM expansion engine and an FM engine. All three engines boast a polyphony of 128 voices, so if you use the expansion, that brings the total up to 384 - or 256 without the expansion. This is already more than enough to back up the most ambitious of performers, and that's next to the FM synthesis - a feature that hasn't really left the Yamaha formula since its introduction with the DX7 synthesizer back in the eighties - a model that single-handedly sent many of the other analogue synthesizers of that time into early retirement. Basically, the addition of an FM engine puts this edition of the Genos way ahead of the models that don't feature it. Why? We've already mentioned the polyphony and, with FM synthesis at your fingertips, you gain the power to shape and mould your own unique, custom sounds. Meanwhile, the AWM sample engine does all of the things that the FM engine can't, including more-than convincingly emulating the full grandeur of Yamaha's legendary CFX concert piano.Extra PerksThe quality of the styles also match the quality of sounds and make absolutely no concessions, while the design has been 100% streamlined for the travelling performer: a microphone input complete with phantom power; a built-in harmoniser and vocoder effect that can be added to your vocals; and a display screen can even be hooked up via HDMI, so score or visuals can be displayed in 1280x720 resolution. A music rest comes included and the rear panel has been fitted with a port for USB sticks, two sets of DIN MIDI inputs and outputs as well as a USB-MIDI port. Wireless LAN and Bluetooth is also supported and the Genos 2 can also double as a USB audio interface as needed. The list of options goes on, completing a formidable sledgehammer of a model built to last the years.

The Roland LX Series is the cream of the crop when it comes to digital pianos that look like traditional acoustic uprights. Unlike its flat and compact counterparts, this digital piano is designed to be the centrepiece in the living room, and as you might expect, it's filled to the rafters with the latest technology. The Roland LX-6 slots right in between in the entry-level LX-5 and the top-level LX-9, yet features the same sounds and key touch as the latter.The Sound of the Roland LX-6Roland has equipped the LX-6 with a physical modelling sound engine, which goes a few steps further than your standard sample-based engine. Based on parameters such as string length, string tension, damping and resonance, the built-in Piano Reality Modelling engine simulates sound with convincing realism and without any compromises, resulting in a digital piano sound that's virtually indistinguishable from the sound of acoustic pianos.Other HighlightsIn addition to traditional piano sound, the Roland LX-6 offers up E-pianos, a harpsichord, a vibraphone, a choirs, strings, organs and more, for a total of 324 different on-board sounds. Add that to the technically unlimited polyphony, the built-in Roland Piano App support and the various inputs and outputs, and you've got everything you would want from a high-end digital upright and then some.

Sadowsky's Metroline Series includes a diverse collection of high-end, German-built basses. This 21-Fret Vintage M/J Bass caters to genre-hopping 5-string bassists who give high priority to extreme playing comfort. Made from American red alder, the traditional J-style body comes comfortably contoured and has been bolted to a snug C-profile maple neck finished with a dark morado fretboard with a 12-inch radius.The MetroLine 21-5 Vintage M/J Bass: Ultra-Versatile PickupsIn terms of tone-shaping capabilities, the Sadowsky MetroLine 21-5 Vintage M/J Bass has been decked out with a hum-cancelling single-coil pickup in the middle position and an MM-style humbucker at the bridge position, both of which can be dropped in series, parallel or singlecoil mode and fine-tuned using the active 2-band EQ and vintage tone control. Meanwhile, the premium hardware including Sadowsky Light open gear tuners, a quick-string-release bridge and the Just-A-Nut III nut keep the tuning firmly in check, and the included Portabag, hex key set and S-security strap locks only sweeten the deal.

Combinant une configuration bien connue dans le monde de la basse, la cinq cordes Sadowsky MetroLine 21-5 Hybrid offre une jouabilité et un confort contemporains, ainsi qu'un son flexible de qualité exceptionnelle ! Fabriquée en Allemagne, cette merveille au corps en frêne des marais présente le même niveau de qualité de construction et toutes les caractéristiques de ses cousines made in New York, mais à un prix plus abordable. En fait - selon Roger Sadowsky lui-même - la seule différence entre ce modèle et les versions de fabrication américaine est le corps totalement plein qui remplace le corps évidé de son homologue d'outre-Atlantique.Sadowsky MetroLine 21-5 Hybrid : une construction légèreAlors que le corps est totalement plein, le bois spécialement sélectionné pour le façonner maintient le poids de cette basse aussi bas que possible et a ici été combiné avec un contour soigneusement pensé. D'autre part, des sensations de jeu serrées et confortables sont assurées par un manche à profil C et un radius de touche de 12 pouces, lequel offre une jouabilité très fluide jusqu'à la 21e frette. Ce superbe modèle est livré avec un Portabag, un COA, un set de strap-locks S-Security, et toutes les clés de réglage nécessaires.Électronique et accastillage haut de gammeCôté électronique, le micro splitté en position centrale délivre un punch très familier des bassistes de rock, tandis que le micro simple au chevalet apporte un son clair idéal pour le jazz et a été positionné dans le style des années 1960 pour pouvoir servir de repose-pouce naturel. Mais ce n'est pas tout ! Faites basculer la 21-5 Hybrid du mode passif au mode actif en actionnant la fonction push-pull du potentiomètre de contrôle de tonalité, engagez le potentiomètre d'églisation étagé, et vous avez de quoi doubler votre plaisir ! Parallèlement, tout l'accastillage, des mécaniques légères à engrenages ouverts au chevalet à dégagement rapide des cordes en passant par le sillet Just-A-Nut III, assure un accordage et une intonation remarquablement stable !

Gibson has brought the SG Supreme back to life, giving this classic double-horned monster some modern tweaks alongside traditional, Gibson-grade build quality. The AAA flamed maple top polishes off the solid mahogany, Modern SG body with deluxe flair, while the solid mahogany neck doesn't just complete a warm and woody foundation sound, extended sustain and a sweet, present punch, but adds some extra refinement to the overall look of this sublime six-string. Top it all off with the exclusive, 1940s Gibson archive inspired headstock inlay, and you're looking at a lovingly detailed sonic sidekick. Hardshell case included.The Gibson SG Supreme: Superior Playing ComfortSince this is the Supreme edition of the SG, this guitar also boasts the extreme comfort of an ebony fretboard with a compound radius and a full set of twenty-four medium frets. This is coupled with the Slim Taper neck profile and a modern, ergonomically rounded heel that leaves nothing in the way of smooth and agile playability. Basically, this high-end Gibson solid-body isn't just built for rhythm work, but supports fast and light lead work, all the way up the neck. The Unrivalled Flexibility of a Push/Pull Coil TapThe SG Supreme also brings an unrivalled level of tonal flexibility. Like any Gibson-built double-cut, this model comes equipped with two humbuckers, where a Burstbucker Pro takes up the neck position and a slightly hotter Burstbucker Pro + sits at the bridge. Scroll through the classic SG catalogue via the two volume pots, two tone pots and three-way pickup switch, then pop out the volume pots to activate the push/pull coil-tap and unleash some single-coil style output per pickup.

Gibson has brought the SG Supreme back to life, giving this classic double-horned monster some modern tweaks alongside traditional, Gibson-grade build quality. The AAA flamed maple top polishes off the solid mahogany, Modern SG body with deluxe flair, while the solid mahogany neck doesn't just complete a warm and woody foundation sound, extended sustain and a sweet, present punch, but adds some extra refinement to the overall look of this sublime six-string. Top it all off with the exclusive, 1940s Gibson archive inspired headstock inlay, and you're looking at a lovingly detailed sonic sidekick. Hardshell case included.The Gibson SG Supreme: Superior Playing ComfortSince this is the Supreme edition of the SG, this guitar also boasts the extreme comfort of an ebony fretboard with a compound radius and a full set of twenty-four medium frets. This is coupled with the Slim Taper neck profile and a modern, ergonomically rounded heel that leaves nothing in the way of smooth and agile playability. Basically, this high-end Gibson solid-body isn't just built for rhythm work, but supports fast and light lead work, all the way up the neck. The Unrivalled Flexibility of a Push/Pull Coil TapThe SG Supreme also brings an unrivalled level of tonal flexibility. Like any Gibson-built double-cut, this model comes equipped with two humbuckers, where a Burstbucker Pro takes up the neck position and a slightly hotter Burstbucker Pro + sits at the bridge. Scroll through the classic SG catalogue via the two volume pots, two tone pots and three-way pickup switch, then pop out the volume pots to activate the push/pull coil-tap and unleash some single-coil style output per pickup.

Gibson has brought the SG Supreme back to life, giving this classic double-horned monster some modern tweaks alongside traditional, Gibson-grade build quality. The AAA flamed maple top polishes off the solid mahogany, Modern SG body with deluxe flair, while the solid mahogany neck doesn't just complete a warm and woody foundation sound, extended sustain and a sweet, present punch, but adds some extra refinement to the overall look of this sublime six-string. Top it all off with the exclusive, 1940s Gibson archive inspired headstock inlay, and you're looking at a lovingly detailed sonic sidekick. Hardshell case included.The Gibson SG Supreme: Superior Playing ComfortSince this is the Supreme edition of the SG, this guitar also boasts the extreme comfort of an ebony fretboard with a compound radius and a full set of twenty-four medium frets. This is coupled with the Slim Taper neck profile and a modern, ergonomically rounded heel that leaves nothing in the way of smooth and agile playability. Basically, this high-end Gibson solid-body isn't just built for rhythm work, but supports fast and light lead work, all the way up the neck. The Unrivalled Flexibility of a Push/Pull Coil TapThe SG Supreme also brings an unrivalled level of tonal flexibility. Like any Gibson-built double-cut, this model comes equipped with two humbuckers, where a Burstbucker Pro takes up the neck position and a slightly hotter Burstbucker Pro + sits at the bridge. Scroll through the classic SG catalogue via the two volume pots, two tone pots and three-way pickup switch, then pop out the volume pots to activate the push/pull coil-tap and unleash some single-coil style output per pickup.

One of the crown jewels of Yamaha's high-end FG range, the FG9 R acoustic guitar features an all-solid build that combines an Indian rosewood body with an Adirondack spruce soundboard. As a result, this sublime dreadnought not only shapes deep basses and mesmerising trebles, but responds beautifully to the dynamics in your playing. A master-crafted tool for serious singer-songwriters, this model comes with its own deluxe case and a certificate of authenticity.The FG9 R: Crafted By ExpertsDecked out in a thin coat of nitro lacquer to guarantee optimum resonance, the Yamaha FG9 R has been expertly made by hand in Japan - and it shows. The one-piece mahogany neck has been firmly bolted to the body for increased tuning stability, while first-class specs such as the dark ebony fretboard, bone nut and Gotoh machine heads help lift the build quality to levels beyond compare, polishing off an instrument that might well define the rest of your career.

Formerly known as the F-50R, the Guild F-55 Natural is a high-end, all-solid jumbo acoustic guitar equipped with a spruce soundboard and a rosewood body. This combo doesn't just sound amazing, but looks the part. The light top contrasts nicely with the dark back and sides which, in turn, graciously offset the white ABS binding. Featuring a walnut centre strip, the mahogany neck makes a stunning addition and comes finished with a rosewood fretboard lined with mother-of-pearl and abalone V-block position markers, while the gold-plated Gotoh SE700 Open-Gear tuners and tortoiseshell scratchplate seal up the aesthetics.Warm SoundThis guitar has a jumbo-size body which in and of itself provides extra volume and more resonance. At the same time, the F-55 injects an extra dose of warmth and brightness thanks to its solid build, ensuring lows are forcefully projected while any mids and highs are also given ample room to shine and shape a full, rich and warm sound. So it can be kept in pristine condition, this top-shelf Guild guitar comes complete with a Guild Deluxe Humidified Wood Case.

Sadowsky's Metroline Series includes a diverse collection of high-end, German-built basses. This 21-Fret Vintage M/J Bass indulges genre-hopping 5-string bassists who give high priority to extreme playing comfort. Made from American swamp ash, the lightweight J-style body comes comfortably contoured and has been bolted to a snug C-profile maple neck finished with a maple fretboard with a 12-inch radius.The MetroLine 21-5 Vintage M/J Bass: Ultra-Versatile PickupsIn terms of tone-shaping capabilities, the Sadowsky MetroLine 21-5 Vintage M/J Bass has been decked out with a hum-cancelling single-coil pickup in the middle position and an MM-style humbucker at the bridge position, both of which can be dropped in series, parallel or singlecoil mode and fine-tuned using the active 2-band EQ and vintage tone control. Meanwhile, the premium hardware including Sadowsky Light open gear tuners, a quick-string-release bridge and the Just-A-Nut III nut keep the tuning firmly in check, and the included Portabag, hex key set and S-security strap locks only sweeten the deal.

Made by Avid, the Carbon Pre 8-channel microphone preamp has been specially designed for Pro Tools users and, if you happen to already own a Carbon, the Carbon Pre is a superb expansion. That being said, the Carbon Pre also holds its own as a standalone unit and can be professionally expanded with 16 ADAT input and output channels as needed. Loaded with the same outstanding preamps as its larger sibling, the Carbon, this high-end microphone preamp offers ultra-transparent sound, as well as four instrument/microphone inputs with variable impedance, plus two front Hi-Z instrument inputs. Streamline Your Workflow Supporting a streamlined workflow, the Carbon Pre allows you to save and load presets, adjust levels, and toggle phantom power directly in Pro Tools. This way, you can quickly change sessions without losing your settings since the virtual assistant will simply re-configure everything for you. Thanks to the option to directly record audio without any latency, the Carbon Pre will quickly become your favourite stage-and-studio tool, especially since it's even possible to use it as a standalone console or integrate it into an existing Avid-based set-up via the EUCON protocol. Add it all up and it's safe to say that once you're used to working with this Avid mic preamp, there's no going back - and thankfully so.

Carving out its own little spot in Gibson's Original Collection, this ES-335 model has a thinline body made of figured maple and poplar and comes coated in nitro lacquer so the beautiful grain of the wood is put on full display. This superb semi-acoustic guitar also features a set-in, rounded C mahogany neck, setting you up with a hearty foundation sound and the perfect amount of treble-range bite. So you can keep it looking pristine, Gibson pack this guitar up in a matching hardshell case.The Original Collection ES-335 Figured: Calibrated T-Type Humbuckers & Orange Drop Capacitors Gibson have armed the ES-335 Figured with two of their own Calibrated T-Type humbuckers and a set of double volume and tone pots so you can take the tone in virtually any direction you want. Pile on the hand-wired electronics, Orange Drop capacitors, Vintage Deluxe tuners with keystone buttons and the ABR-1 Tune-O-Matic bridge and aluminium stop bar, and you've got the high-end specs worthy of a genuine USA Gibson guitar.

A J-style vibe coupled with a five-string range, the German-built Sadowsky Metroline Series 24-5 bears boutique grade specs yet comes at a more off-the-rack price. Boasting the same level of build quality as the sublime models that come out of New York City, the only difference between this connoisseur-grade bass and its American cousins is the fully-solid instead of hollowed-out body.The MetroLine 21-5 Vintage Bass: The Lightweight HeavyweightWhile the body is totally solid, the specially selected wood keeps the weight of this bass as low as humanly possible and here, has been combined with considered contouring and the tight and snug feel of a C-profile neck and 12 inch fretboard radius, providing fluid playability all the way up to the 21st fret. This superb model comes complete with a Portabag, a COA, a set of S-Security strap-locks, and all the necessary adjustment keys.Far-Reaching & Solid SoundThe acoustic sound of this bass is especially solid and as soon as it's plugged in, its flexible, far-reaching power really becomes clear. Mounted with a pair of advanced J-style hum-cancelling pickups, you're greeted by all of that classic, high-definition single-coil tone but without any of the associated hum, while the '60s-style position of the bridge pickup provides a natural thumb-rest. Pop the push-pull function of the vintage tone control pot to engage active mode and tweak the tone using the stacked EQ controls to double the fun. All of the hardware, meanwhile, from the light open-gear machines heads, to the quick-string-release bridge and Just-A-Nut III nut have been provided by Sadowsky, laying down astonishingly stable tuning and intonation and completing a neat and high-end five-string package.

La MetroLine 21-5 Vintage de Sadowsky a un look jazz classique des années 60, offrant des sensations familières et un confort contemporain, ainsi qu'un large éventail de sons non seulement vintage mais aussi modernes ! Cette basse électrique J/J possède bon nombre des mêmes caractéristiques que les célèbres basses américaines de NYC, mais ce qui est particulièrement frappant, c'est que cette cinq cordes Sadowsky de fabrication allemande est beaucoup plus abordable tout en montrant un niveau de qualité remarquable !MetroLine 21-5 Vintage : un pur plaisir de jeu !Ce n'est pas parce que le corps n'est pas creusé que vous devez vous inquiéter pour vos lombaires. Selon Roger Sadowsky lui-même, cette solid body est toujours agréable et légère afin d'encourager un jeu confortable. Dans le même temps, le manche en C et le radius de la touche de 12 pouces qui l'accompagne vous offrent une excellente jouabilité, et ce jusqu'à la 21e frette ! Pour un son un peu plus pointu, vous pouvez facilement mettre votre pouce sur le micro chevalet en position 60s. Cette basse jazzy est également livrée avec un Portabag extrêmement solide pour un transport en toute sécurité, un COA, des locks Sadowsky S pour votre sangle et les clés hexagonales correspondantes.Une électronique ultra solideAvec deux micros simples à suppression de bourdonnement Sadowsky hum-cancelling en positions manche et chevalet, vous obtenez ces sonorités percutantes bien connues et appréciées de nombreux bassistes de jazz. Parallèlement, vous n'aurez pas à souffrir d'un quelconque bourdonnement gênant. En plus des sons de basse vintage passifs habituels, cette MetroLine J/J Bass vous permet également de produire divers sons de basse actifs de haute qualité à l'aide de la fonction push/pull présente sur le potentiomètre de contrôle de tonalité vintage. Les mécaniques légères à engrenage ouvert, le sillet Just-A-Nut III et le chevalet Sadowsky garantissent une intonation et un accordage remarquablement stables !

Tête d'ampli à lampes REVV pour guitare électrique Avec le Generator 120 MKIII et après 4 ans de recherche à prendre en compte les commentaires d'artistes mondiaux, de guitaristes et d'ingénieurs de studio, Revv redéfinit son célèbre titan high-gain canadien. Branchez-vous en direct dans un console de mixage, une interface d'enregistrement ou un casque via XLR avec le premier ampli stéréo avec IR et loadbox réactive intégrant la technologie Torpedo de Two notes. Cette technologie vous offre de superbes reverbs et un doubleur stéréo Twin Tracker puissant, ainsi que des combinaisons quasi-infinies d'enceintes virtuelles et de micros. Et sans haut-parleur ! Pour Revv Amplification, c'est le son avant tout. Chacun des 4 canaux indépendants a subit des modifications d'activation et de voicing afin de garder l'identité sonore de Revv intacte tout en ajoutant une nouvelle versatilité allant du son high-gain le plus agressif au clean & crunch de Nashville le plus sensible et organique. La Generator 120 MKIII possède même un noise gate (réducteur de bruit) ajustable et de belles reverbs à sauvegarder pour chaque canal.

High-grade electronics and tight sound combined with traditional style, the ESP E-II SN-2 six-string is an outstanding sidekick for the modern guitarist. The solid alder body comes topped with a thin slice of buckeye burl maple, giving every example of this guitar its own unique look. The ebony fretboard has been furnished with a full set of twenty-four extra-jumbo frets and a modern 12 inch radius to guarantee fast and smooth playability. The Bare Knuckle Aftermath Battleworn humbuckers planted at the neck and bridge combine to deliver a clearly defined mid-range, fast bass response and big, formidable sound. Add on the Floyd Rose Original SE tremolo bridge and Gotoh locking tuners, and you're assured of a solid and stable base. Case included.

Looking for a top-notch J-style bass that's been built by specialists and gives you masses of sonic versatility? Get a load of the Sadowsky MetroLine 24-Fret Vintage J/J Bass. This carefully crafted four-string comes with a Portabag gig bag, a certificate of authenticity, two S-security strap locks, and a set of adjustment keys.The MetroLine 24-4 Vintage: Lightweight Solid Body and Superior HardwareApart from its solid body, this MetroLine model doesn't differ all that much from Sadowsky's illustrious Custom Shop USA NYC basses. The wood has even been specially selected to keep the weight as low as possible, while high-quality hardware like the Just-A-Nut III nut, lightweight open tuners and quick-string-release bridge have been selected to ensure superb tuning stability, perfect intonation and smooth re-strings.Classic Passive and Fresh Active J-Style SoundsThe MetroLine 24-Fret Vintage J/J Bass is equipped with two J-style pickups that not only cover a spectrum of familiar passive sounds, but give you a host of active sounds to play with that can be unlocked via the push-pull tone pot. Both single-coils are mounted in a modern position and have been designed to do away with any and all hum.

The German-built Sadowsky Metroline Series 21-4 Vintage bears classic J-vibed style and contemporary, boutique-grade sound and specs, yet comes at a more off-the-rack price. While it doesn't directly hail from New York City, this solid-bodied model boasts the same features and quality of build as its American cousins.The MetroLine 21-4 Vintage: Lightweight & Effortlessly PlayableThe body of the MetroLine 21-4 Vintage has been kept as lightweight as humanly possible and has been contoured in all the right places to absolutely ensure a snug and tight feel. The C-profile neck and 12 inch fretboard radius also have a part to play, while the deep cutaways ensure fluid access to the highest of the 21 frets and the '60s-style positioning of the bridge pickup provides the perfect thumb-rest to support more punching playing techniques. This solid model comes complete with a Portabag, a COA, a set of S-Security strap locks, and a set of adjustment keys.Hum-Free Passive & Active SoundKitted out with two J-style noise-cancelling pickups, this bass grants full access to that familiar single-coil punch but wiped clean of any of the associated hum - and that's just in passive mode. Engage the push-pull function of the vintage tone control pot and flip this bass into active mode to unleash an even deeper growl and double the sonic palette. All of the hardware, meanwhile, from the light open-gear machines heads, to the quick-string-release bridge and Just-A-Nut III nut have been provided by Sadowsky, laying down astonishingly stable tuning and intonation and completing a neat and high-end four-string package.

La MetroLine 21-4 Vintage Bass de Sadowsky a un look jazz classique des années 60, offrant des sensations familières et un confort contemporain, ainsi qu'un large éventail de sons non seulement vintage mais aussi modernes ! Cette basse électrique J/J possède bon nombre des mêmes caractéristiques que les célèbres basses américaines de NYC, mais ce qui est particulièrement frappant, c'est que cette quatre cordes Sadowsky de fabrication allemande est beaucoup plus abordable tout en montrant un niveau de qualité remarquable !MetroLine 21-4 Vintage : un pur plaisir de jeu !Ce n'est pas parce que le corps n'est pas creusé que vous devez vous inquiéter pour vos lombaires. Selon Roger Sadowsky lui-même, cette solid body est toujours agréable et légère afin d'encourager un jeu confortable. Dans le même temps, le manche en C et le radius de la touche de 12 pouces qui l'accompagne vous offrent une excellente jouabilité, et ce jusqu'à la 21e frette ! Pour un son un peu plus pointu, vous pouvez facilement mettre votre pouce sur le micro chevalet en position 60s. Cette basse jazzy est également livrée avec un Portabag extrêmement solide pour un transport en toute sécurité, un COA, des locks Sadowsky S pour votre sangle et les clés hexagonales correspondantes.Une électronique ultra solideAvec deux micros simples à suppression de bourdonnement Sadowsky hum-cancelling en positions manche et chevalet, vous obtenez ces sonorités percutantes bien connues et appréciées de nombreux bassistes de jazz. Parallèlement, vous n'aurez pas à souffrir d'un quelconque bourdonnement gênant. En plus des sons de basse vintage passifs habituels, cette MetroLine J/J Bass vous permet également de produire divers sons de basse actifs de haute qualité à l'aide de la fonction push/pull présente sur le potentiomètre de contrôle de tonalité vintage. Les mécaniques légères à engrenage ouvert, le sillet Just-A-Nut III et le chevalet Sadowsky garantissent une intonation et un accordage remarquablement stables !

Looking for a top-notch J-style bass that's been built by specialists and gives you masses of sonic versatility? Get a load of the Sadowsky MetroLine 24-Fret Vintage J/J Bass. This carefully crafted four-string comes with a Portabag gig bag, a certificate of authenticity, two S-security strap locks, and a set of adjustment keys.The MetroLine 24-4 Vintage: Lightweight Solid Body and Superior HardwareApart from its solid body, this MetroLine model doesn't differ all that much from Sadowsky's illustrious Custom Shop USA NYC basses. The wood has even been specially selected to keep the weight as low as possible, while high-quality hardware like the Just-A-Nut III nut, lightweight open tuners and quick-string-release bridge have been selected to ensure superb tuning stability, perfect intonation and smooth re-strings.Classic Passive and Fresh Active J-Style SoundsThe MetroLine 24-Fret Vintage J/J Bass is equipped with two J-style pickups that not only cover a spectrum of familiar passive sounds, but give you a host of active sounds to play with that can be unlocked via the push-pull tone pot. Both single-coils are mounted in a modern position and have been designed to do away with any and all hum.

A J-style vibe coupled with a five-string range, the German-built Sadowsky Metroline Series 24-5 bears boutique grade specs yet comes at a more off-the-rack price. Boasting the same level of build quality as the sublime models that come out of New York City, the only difference between this connoisseur-grade bass and its American cousins is the fully-solid instead of hollowed-out body.The MetroLine 21-5 Vintage Bass: The Lightweight HeavyweightWhile the body is totally solid, the specially selected wood keeps the weight of this bass as low as humanly possible and here, has been combined with considered contouring and the tight and snug feel of a C-profile neck and 12 inch fretboard radius, providing fluid playability all the way up to the 21st fret. This superb model comes complete with a Portabag, a COA, a set of S-Security strap-locks, and all the necessary adjustment keys.Far-Reaching & Solid SoundThe acoustic sound of this bass is especially solid and as soon as it's plugged in, its flexible, far-reaching power really becomes clear. Mounted with a pair of advanced J-style hum-cancelling pickups, you're greeted by all of that classic, high-definition single-coil tone but without any of the associated hum, while the '60s-style position of the bridge pickup provides a natural thumb-rest. Pop the push-pull function of the vintage tone control pot to engage active mode and tweak the tone using the stacked EQ controls to double the fun. All of the hardware, meanwhile, from the light open-gear machines heads, to the quick-string-release bridge and Just-A-Nut III nut have been provided by Sadowsky, laying down astonishingly stable tuning and intonation and completing a neat and high-end five-string package.

La MetroLine 21-4 Vintage Bass de Sadowsky a un look jazz classique des années 60, offrant des sensations familières et un confort contemporain, ainsi qu'un large éventail de sons non seulement vintage mais aussi modernes ! Cette basse électrique J/J possède bon nombre des mêmes caractéristiques que les célèbres basses américaines de NYC, mais ce qui est particulièrement frappant, c'est que cette quatre cordes Sadowsky de fabrication allemande est beaucoup plus abordable tout en montrant un niveau de qualité remarquable !MetroLine 21-4 Vintage : un pur plaisir de jeu !Ce n'est pas parce que le corps n'est pas creusé que vous devez vous inquiéter pour vos lombaires. Selon Roger Sadowsky lui-même, cette solid body est toujours agréable et légère afin d'encourager un jeu confortable. Dans le même temps, le manche en C et le radius de la touche de 12 pouces qui l'accompagne vous offrent une excellente jouabilité, et ce jusqu'à la 21e frette ! Pour un son un peu plus pointu, vous pouvez facilement mettre votre pouce sur le micro chevalet en position 60s. Cette basse jazzy est également livrée avec un Portabag extrêmement solide pour un transport en toute sécurité, un COA, des locks Sadowsky S pour votre sangle et les clés hexagonales correspondantes.Une électronique ultra solideAvec deux micros simples à suppression de bourdonnement Sadowsky hum-cancelling en positions manche et chevalet, vous obtenez ces sonorités percutantes bien connues et appréciées de nombreux bassistes de jazz. Parallèlement, vous n'aurez pas à souffrir d'un quelconque bourdonnement gênant. En plus des sons de basse vintage passifs habituels, cette MetroLine J/J Bass vous permet également de produire divers sons de basse actifs de haute qualité à l'aide de la fonction push/pull présente sur le potentiomètre de contrôle de tonalité vintage. Les mécaniques légères à engrenage ouvert, le sillet Just-A-Nut III et le chevalet Sadowsky garantissent une intonation et un accordage remarquablement stables !

It's really been more than 35 years since Ibanez and Steve Vai first started working together, and following up the legend that is the JEM, comes the fresh-faced PIA. Wise beyond its years and affectionately named after Vai's wife, this model boasts lush aesthetic detailing, from the ergonomic Petal-Grips that punctuate the sides of the solid-body (a softened echo of the Monkey-Grip of the JEM) to the detailed PIA Blossom inlay that delicately creeps up the fretboard, and the magnetic tremolo cover plate.The Ibanez PIA3761: Harmonic EleganceEven the shaping of the alder body commands more elegance and has an incredibly snug feel as a result, while the extreme cutaways, coupled with the specially-shaped backside, give you all the space you need to grab chords and notes anywhere up to the 24th fret. Just like the JEM, the Steve Vai Signature PIA has a rosewood fretboard that's comfortably scalloped from fret 21 to 24, a set of jumbo stainless-steel frets, and to ease navigation in the dark, the side of the neck has been finished with Luminlay side-dots. High Pass Volume, Edge Tremolo-Bridge and DiMarzio UtoPIA PickupsThe three HSH configured DiMarzio UtoPIA have been specially developed for the PIA, and deliver immense tonal variation framed by a sweeter-than-average high-end that pulls back a little on the mid-range when compared to the Vai Evolution pickups. The gain has also been pushed a little further, and the low-end has been tightened up, and by popping out the stylishly finished volume pot, the high-pass filter is activated, giving precise transparency without getting too treble-heavy at lower volumes. To finish, an Edge-Tremolo bridge has been mounted for unleashing classic horse-whinny-style vibrato tricks using the highly comfortable Ultralite tremolo arm.

A J-style vibe coupled with a five-string range, the German-built Sadowsky Metroline Series 24-5 bears boutique grade specs yet comes at a more off-the-rack price. Boasting the same level of build quality as the sublime models that come out of New York City, the only difference between this connoisseur-grade bass and its American cousins is the fully-solid instead of hollowed-out body.The MetroLine 21-5 Vintage Bass: The Lightweight HeavyweightWhile the body is totally solid, the specially selected wood keeps the weight of this bass as low as humanly possible and here, has been combined with considered contouring and the tight and snug feel of a C-profile neck and 12 inch fretboard radius, providing fluid playability all the way up to the 21st fret. This superb model comes complete with a Portabag, a COA, a set of S-Security strap-locks, and all the necessary adjustment keys.Far-Reaching & Solid SoundThe acoustic sound of this bass is especially solid and as soon as it's plugged in, its flexible, far-reaching power really becomes clear. Mounted with a pair of advanced J-style hum-cancelling pickups, you're greeted by all of that classic, high-definition single-coil tone but without any of the associated hum, while the '60s-style position of the bridge pickup provides a natural thumb-rest. Pop the push-pull function of the vintage tone control pot to engage active mode and tweak the tone using the stacked EQ controls to double the fun. All of the hardware, meanwhile, from the light open-gear machines heads, to the quick-string-release bridge and Just-A-Nut III nut have been provided by Sadowsky, laying down astonishingly stable tuning and intonation and completing a neat and high-end five-string package.

Le TriAmp a été le modèle phare du constructeur Hughes & Kettner durant des années. Après la sortie du MKII, il semblait difficile d'aller encore plus loin dans l'amélioration de leur tête d'ampli et pourtant, un nouveau pas a été franchi avec le TriAmp Mark 3 (MKIII) ! Bien qu'il conserve l'architecture caractéristique du modèle, ce dernier comprend, en effet, de nouvelles options et améliorations qui repoussent les limites de la série. Il affiche ainsi trois groupes de deux préamplis pour un total de six sections. Le Mark III montre également des contrôles indépendants pour chaque canal, de même que pas moins de trois sections de puissance. Et si cela ne s'avérait pas suffisant, un module MIDI intégré, un connecteur Red Box AE et un Noise Gate viennent compléter le tableau !Un monstre de polyvalence !Avec toutes ses lampes de préampli et de puissance ainsi que ses six canaux, la tête d'ampli guitare Hughes & Kettner TriAmp Mark 3 offre une variété incroyable de sons dont les typiques American Cleans, British Leads, Brown Sound ou Modern High-Gain. Pour chaque canal, un contrôle de Volume, un EQ et un Gain permettent d'affiner vos réglages. Ceux-ci comprennent également une fonction Stomp Boost. Côté lampes, le TriAmp MK III mobilise une paire de EL34 et deux paires de 6L6 à l'étage de puissance mais il pourra parfaitement accueillir d'autres types de lampes comme des KT77, des 655 ou encore des 7581. Au niveau de la préamplification, on retrouve une série de neuf lampes 12AX7. Notez que chaque canal de préampli peut être assigné à un des trois amplis de puissance ou à n'importe quelle autre combinaison pour un total impressionnant de 42 sons de base !Un panel de fonctions ultra pratiquesUn Noise Gate ajustable a été directement intégré au TriAmp Mark 3 afin de garder un bon contrôle sur les sons High Gain. De plus, tous les paramètres commutables comme la boucle d'effet, la sélection de l'ampli de puissance, la sélection de canal et le Stomp Boost peuvent être sauvegardés via MIDI sur l'un des 128 emplacements mémoire. Avec le pédalier TSM 432 (fourni avec l'ampli), rappeler vos réglages devient un jeu d'enfant, de même qu'il est possible de les contrôler via un dispositif MIDI externe via la sortie MIDI prévue à cet effet. Raccorder la tête d'ampli à une table de mixage ou tout autre système sono est également très simple via la sortie DI Red Box AE Ambience Emulation. Enfin, le TriAmp Mark 3 est équipé d'une fonction Tube Safety Control qui se charge d'ajuster le bias des lampes afin d'améliorer leur rendu sonore, leur fiabilité et leur durée de vie.

The ESP E-II M-II 7B Baritone EverTune is a genuinely brutal, high-precision machine. This elegant seven-string monster has been built to back up demanding guitarists with heavy yet versatile sound, range and playability. This stunning model features an extra long, 27 inch baritone scale length, keeping the low B-string feeling nice and tight, while the back of the neck has been given a coat of satin-gloss to support smooth and elastic fret navigation.The ESP E-II M-II 7B Baritone EverTune: The Ultimate Tuning StabilityESP have outfitted this beast of a seven-string with the innovative EverTune (F-Model) bridge, so you really are getting the ultimate in tuning stability. Initially tune up at the bridge using the included key, then fine tune each string via the set of Gotoh locking machine heads. This two-ended tuning setup accommodates varied string tension, so you can loosen up the treble strings to ensure smooth bends while keeping the bass strings tight and remove the chance of dropping tune during more formidable rhythm work. Superior Quality Straight Out of JapanThe three-piece maple neck has been sandwiched between two solid alder body-wings to complete a solid neck-thru construction and gifts this guitar with masses of sustain and full and resonant, life-packed sound. This build method also ensures easy access to every one of the twenty-four extra-jumbo frets lined up along the dark ebony fretboard. Pile the pair of Fishman Fluence Modern pickups on top, and you're getting treated to two voicings, toggled via the tone and volume pots to shape a wide range of progressive 21st-century tonal profiles. Lastly, ESP include a form-fit case.

The ESP E-II M-II 7B Baritone EverTune is a genuinely brutal, high-precision machine. This elegant seven-string monster has been built to back up demanding guitarists with heavy yet versatile sound, range and playability. This stunning model features an extra long, 27 inch baritone scale length, keeping the low B-string feeling nice and tight, while the back of the neck has been given a coat of satin-gloss to support smooth and elastic fret navigation.The ESP E-II M-II 7B Baritone EverTune: The Ultimate Tuning StabilityESP have outfitted this beast of a seven-string with the innovative EverTune (F-Model) bridge, so you really are getting the ultimate in tuning stability. Initially tune up at the bridge using the included key, then fine tune each string via the set of Gotoh locking machine heads. This two-ended tuning setup accommodates varied string tension, so you can loosen up the treble strings to ensure smooth bends while keeping the bass strings tight and remove the chance of dropping tune during more formidable rhythm work. Superior Quality Straight Out of JapanThe three-piece maple neck has been sandwiched between two solid alder body-wings to complete a solid neck-thru construction and gifts this guitar with masses of sustain and full and resonant, life-packed sound. This build method also ensures easy access to every one of the twenty-four extra-jumbo frets lined up along the dark ebony fretboard. Pile the pair of Fishman Fluence Modern pickups on top, and you're getting treated to two voicings, toggled via the tone and volume pots to shape a wide range of progressive 21st-century tonal profiles. Lastly, ESP include a form-fit case.

La MetroLine 21-5 Vintage Bass de Sadowsky a un look jazz classique typique des années 1960, offrant des sensations familières et un confort contemporain, ainsi qu'un large éventail de sonorités non seulement vintage mais aussi modernes ! Cette basse électrique J/J possède bon nombre des mêmes caractéristiques que les célèbres basses américaines de NYC, mais ce qui est particulièrement frappant, c'est que cette cinq cordes Sadowsky de fabrication allemande est beaucoup plus abordable tout en montrant un niveau de qualité remarquable !MetroLine 21-5 Vintage : un pur plaisir de jeu !Ce n'est pas parce que le corps n'est pas creusé que vous devez vous inquiéter pour vos lombaires. Selon Roger Sadowsky lui-même, cette solid body est toujours agréable et légère afin d'encourager un jeu confortable. Dans le même temps, le manche en C et le radius de la touche de 12 pouces qui l'accompagne vous offrent une excellente jouabilité, et ce jusqu'à la 21e frette ! Pour un son un peu plus pointu, vous pouvez facilement mettre votre pouce sur le micro chevalet en position 60s. Cette basse jazzy est également livrée avec un Portabag extrêmement solide pour un transport en toute sécurité, un COA, des locks Sadowsky S pour votre sangle et les clés hexagonales correspondantes.Une électronique ultra solideAvec deux micros simples à suppression de bourdonnement Sadowsky hum-cancelling en positions manche et chevalet, vous obtenez ces sonorités percutantes bien connues et appréciées de nombreux bassistes de jazz. Parallèlement, vous n'aurez pas à souffrir d'un quelconque bourdonnement gênant. En plus des sons de basse vintage passifs habituels, cette MetroLine J/J Bass vous permet également de produire divers sons de basse actifs de haute qualité à l'aide de la fonction push/pull présente sur le potentiomètre de contrôle de tonalité vintage. Les mécaniques légères à engrenage ouvert, le sillet Just-A-Nut III et le chevalet Sadowsky garantissent une intonation et un accordage remarquablement stables !

Sadowsky's Metroline Series includes a diverse collection of high-end, German-built basses. This 21-Fret Vintage M/J Bass indulges genre-hopping 5-string bassists who give high priority to extreme playing comfort. Made from American swamp ash, the lightweight J-style body comes comfortably contoured and has been bolted to a snug C-profile maple neck finished with a maple fretboard with a 12-inch radius.The MetroLine 21-5 Vintage M/J Bass: Ultra-Versatile PickupsIn terms of tone-shaping capabilities, the Sadowsky MetroLine 21-5 Vintage M/J Bass has been decked out with a hum-cancelling single-coil pickup in the middle position and an MM-style humbucker at the bridge position, both of which can be dropped in series, parallel or singlecoil mode and fine-tuned using the active 2-band EQ and vintage tone control. Meanwhile, the premium hardware including Sadowsky Light open gear tuners, a quick-string-release bridge and the Just-A-Nut III nut keep the tuning firmly in check, and the included Portabag, hex key set and S-security strap locks only sweeten the deal.

A J-style vibe coupled with a five-string range, the German-built Sadowsky Metroline Series 24-5 bears boutique grade specs yet comes at a more off-the-rack price. Boasting the same level of build quality as the sublime models that come out of New York City, the only difference between this connoisseur-grade bass and its American cousins is the fully-solid instead of hollowed-out body.The MetroLine 21-5 Vintage Bass: The Lightweight HeavyweightWhile the body is totally solid, the specially selected wood keeps the weight of this bass as low as humanly possible and here, has been combined with considered contouring and the tight and snug feel of a C-profile neck and 12 inch fretboard radius, providing fluid playability all the way up to the 21st fret. This superb model comes complete with a Portabag, a COA, a set of S-Security strap-locks, and all the necessary adjustment keys.Far-Reaching & Solid SoundThe acoustic sound of this bass is especially solid and as soon as it's plugged in, its flexible, far-reaching power really becomes clear. Mounted with a pair of advanced J-style hum-cancelling pickups, you're greeted by all of that classic, high-definition single-coil tone but without any of the associated hum, while the '60s-style position of the bridge pickup provides a natural thumb-rest. Pop the push-pull function of the vintage tone control pot to engage active mode and tweak the tone using the stacked EQ controls to double the fun. All of the hardware, meanwhile, from the light open-gear machines heads, to the quick-string-release bridge and Just-A-Nut III nut have been provided by Sadowsky, laying down astonishingly stable tuning and intonation and completing a neat and high-end five-string package.

Une inspiration résolument jazz couplée à cinq cordes et 24 frettes, la Sadowsky Metroline Series 24-5 Vintage Ash de fabrication allemande présente des caractéristiques de qualité boutique à un prix plus abordable ! Bien qu'elle ne soit pas directement originaire de New York, cette basse solid body profite de l'approbation de Roger Sadowsky lui-même, vous êtes donc absolument assuré de la qualité de construction suprême et des sensations de jeu d'un instrument conçu avec le plus grand soin. Modèle cinq cordes oblige, vous profiterez d'une corde de Si (B) grave supplémentaire. Cette superbe basse est livrée avec un Portabag, un COA, des locks S-Security et une clé de réglage.MetroLine 24-5 Vintage Bass : peaufinée à l'extrême !Probablement la seule personne capable de pousser encore plus loin la perfection, Roger Sadowsky a réussi à reprendre le format original et à en trouver les limites absolues. En tant que telle, la basse MetroLine Vintage est étonnamment mince et légère et a été arrondie et finie via des contours profonds aux bons endroits afin d'assurer des sensations de jeu ultra confortables. Le manche à profil en C et le radius de la touche de 12 pouces aident clairement à mettre le bassiste à l'aise, un accès sans limite aux 24 frettes étant ici garanti par le profond pan coupé aménagé dans l'instrument !Son passif et actif sans bourdonnementAu niveau du son, cette basse est clairement à la hauteur des espérances. De toute évidence, vous bénéficiez d'un accès complet à la gamme sonore classique qu'une configuration J/J offre, mais en raison d'un placement moderne et de la suppression des ronflements (« hum-cancelling ») des deux micros, vous pouvez vous montrer audacieux en mobilisant des couleurs plus actuelles. Les modes actif et passif sont accessibles via le potentiomètre push-pull intégré et le tout peut être ajusté selon vos besoins à l'aide du potentiomètre de balance. Tout l'accastillage, du chevalet à dégagement rapide des cordes aux mécaniques ouvertes légères et au sillet Just-A-Nut III, est fourni par Sadowsky, offrant par ainsi une stabilité d'accordage sublime ainsi qu'une intonation exceptionnelle.

The German-built Sadowsky Metroline Series 21-4 Vintage bears classic J-vibed style and contemporary, boutique-grade sound and specs, yet comes at a more off-the-rack price. While it doesn't directly hail from New York City, this solid-bodied model boasts the same features and quality of build as its American cousins.The MetroLine 21-4 Vintage: Lightweight & Effortlessly PlayableThe body of the MetroLine 21-4 Vintage has been kept as lightweight as humanly possible and has been contoured in all the right places to absolutely ensure a snug and tight feel. The C-profile neck and 12 inch fretboard radius also have a part to play, while the deep cutaways ensure fluid access to the highest of the 21 frets and the '60s-style positioning of the bridge pickup provides the perfect thumb-rest to support more punching playing techniques. This solid model comes complete with a Portabag, a COA, a set of S-Security strap locks, and a set of adjustment keys.Hum-Free Passive & Active SoundKitted out with two J-style noise-cancelling pickups, this bass grants full access to that familiar single-coil punch but wiped clean of any of the associated hum - and that's just in passive mode. Engage the push-pull function of the vintage tone control pot and flip this bass into active mode to unleash an even deeper growl and double the sonic palette. All of the hardware, meanwhile, from the light open-gear machines heads, to the quick-string-release bridge and Just-A-Nut III nut have been provided by Sadowsky, laying down astonishingly stable tuning and intonation and completing a neat and high-end four-string package.

A J-style vibe coupled with a five-string range, the German-built Sadowsky Metroline Series 24-5 bears boutique grade specs yet comes at a more off-the-rack price. Boasting the same level of build quality as the sublime models that come out of New York City, the only difference between this connoisseur-grade bass and its American cousins is the fully-solid instead of hollowed-out body.The MetroLine 21-5 Vintage Bass: The Lightweight HeavyweightWhile the body is totally solid, the specially selected wood keeps the weight of this bass as low as humanly possible and here, has been combined with considered contouring and the tight and snug feel of a C-profile neck and 12 inch fretboard radius, providing fluid playability all the way up to the 21st fret. This superb model comes complete with a Portabag, a COA, a set of S-Security strap-locks, and all the necessary adjustment keys.Far-Reaching & Solid SoundThe acoustic sound of this bass is especially solid and as soon as it's plugged in, its flexible, far-reaching power really becomes clear. Mounted with a pair of advanced J-style hum-cancelling pickups, you're greeted by all of that classic, high-definition single-coil tone but without any of the associated hum, while the '60s-style position of the bridge pickup provides a natural thumb-rest. Pop the push-pull function of the vintage tone control pot to engage active mode and tweak the tone using the stacked EQ controls to double the fun. All of the hardware, meanwhile, from the light open-gear machines heads, to the quick-string-release bridge and Just-A-Nut III nut have been provided by Sadowsky, laying down astonishingly stable tuning and intonation and completing a neat and high-end five-string package.

Avec son manche au profil Vintage 50s et ses deux micros Burstbucker 1 et 2, cette Gibson Original Collection Les Paul Standard 50s LH Goldtop est un hommage à la Les Paul historique des années 50. 22 frettes medium jumbo, un corps en acajou surmonté d'une superbe table en érable flammé de qualité, un manche en acajou et une touche en palissandre avec radius de 12 complètent cette solid body de caractère. Cet ancêtre direct de la LP originale des années 50 est livré avec un étui rigide et un kit d'accessoires Gibson.Les Paul Standard 50s : micros Burstbucker 2 et 1Les différents bois utilisés pour la fabrication de cette guitare offrent une base tonale classique, chaleureuse avec une excellente définition. Au niveau de la position manche, un Burstbucker à double bobinage 1 apporte le son crémeux et rond tant apprécié, tandis que le 2 de la position chevalet apporte l'épaisseur et la puissance, le tout soutenu de manière fiable par un sélecteur à 3 positions et un ensemble de potentiomètres de volume et de tonalité avec condensateurs Orange Drop. Pour une parfaite stabilité, cette Les Paul Standard 50s est équipée d'un ensemble de mécaniques Grover Rotomatic, d'un chevalet ABR-1 Tune-O-Matic, d'un cordier en aluminium et d'un sillet Graph Tech.La marque GibsonFondée en 1902, la marque Gibson fait partie des pionniers dans la fabrication d'instruments de musique, en commençant par les mandolines. C'est en 1952 que la Les Paul sera commercialisée, suivie quelques années plus tard par les Flying V et Explorer puis la SG. On ne compte plus le nombre d'artistes ayant joué (ou jouant encore) sur ces célèbres modèles dont, notamment, Angus Young, Jimmy Page, Tony Iommi, Chuck Berry, Joe Bonamassa, B.B. King ou encore Frank Zappa.

A tasty, throwback treat of a guitar on every level, the Gibson Original Collection Les Paul Standard '60s six-string features a stunning AA flame maple top and comes dipped in a fresh Translucent Oxblood paint job. Beyond the Gibson-grade looks, this single-cut model more than brings the sonic goods, where the solid mahogany body has been loaded with a two-piece set of Gibson Burstbucker 61 pickups. Each humbucker boasts an Alnico V magnet core that guarantees powerful and flexible, full-range sound. The Gibson Original Collection Les Paul Standard '60s comes complete with a form-fitting hardshell case.The Gibson Les Paul Standard '60s: Authentic PlayabilitySince the old score is usually the best, the mahogany neck of this Gibson LP has been given a Slim Taper profile, which couples with a rosewood fretboard with a 12 inch radius and a set of twenty-two medium jumbo frets to complete light and nimble, authentic playability all the way up the neck. Modern tweaks come in the form of a set of Grover Rotomatic machine heads finished with Kidney tuning buttons and a Graph Tech nut, polishing off progressive tuning stability, while the Gibson ABR-1 Tune-O-Matic bridge lays down some outstanding resonance and extra-long sustain.

Avec cette guitare Gibson Original Collection Les Paul Standard '60s, vous ajouterez un exemplaire particulier à votre collection. Elle présente une table en érable flammé AA et une finition Translucent Cherry du plus bel effet ! Non seulement par son apparence, mais aussi par sa sonorité, cette single cut vous impressionnera d'emblée. En effet, le corps solid body en acajou est équipé d'un set de micros Gibson Burstbucker 61. Grâce à l'aimant alnico V intégré, vous pouvez compter sur une large palette de sons puissants. Bien entendu, elle est accompagnée d'un élégant étui Gibson.Les Paul Standard '60s : confort de jeu exemplaireLe manche en acajou de cette guitare LP possède un profil Slim Taper, ce qui le rend immédiatement agréable à tenir en main. Ajoutez à cela le radius de 12 pouces de la touche en palissandre et les 22 frettes Medium Jumbo, et vous obtenez un instrument sur lequel vous pourrez jouer pendant des heures avec facilité. Grâce aux mécaniques Grover Rotomatic avec boutons Kidney et au sillet de tête Graph Tech, vous pouvez compter sur une grande stabilité d'accordage. En combinaison avec le chevalet Gibson ABR-1 Tune-O-Matic, vous profitez d'une guitare dotée d'une excellente résonance et d'un plaisant long sustain.

The Roland LX Series is the cream of the crop when it comes to digital pianos that look like traditional acoustic uprights. Unlike its flat and compact counterparts, this digital piano is designed to be the centrepiece in the living room, and as you might expect, it's filled to the rafters with the latest technology. In fact, while it's a bit more compact than the LX-9, the Roland LX-5 boasts the same advanced sound generation tech.The Sound of the Roland LX-5Roland has equipped the LX-5 with a physical modelling sound engine, which goes a few steps further than your standard sample-based engine. Based on parameters such as string length, string tension, damping and resonance, the built-in Piano Reality Modelling engine simulates sound with convincing realism and without any compromises, resulting in a digital piano sound that's virtually indistinguishable from the sound of acoustic pianos.Other HighlightsIn addition to traditional piano sound, the Roland LX-5 offers up E-pianos, a harpsichord, a vibraphone, a choirs, strings, organs and more, for a total of 324 different on-board sounds. Add that to the technically unlimited polyphony, the built-in Roland Piano App support and the various inputs and outputs, and you've got everything you would want from a high-end digital upright and then some.

A tasty, throwback treat of a guitar on every level, the Gibson Original Collection Les Paul Standard '60s six-string features a stunning AA flame maple top and comes dipped in a fresh Blueberry Burst paint job. Beyond the Gibson-grade looks, this single-cut model more than brings the sonic goods, where the solid mahogany body has been loaded with a two-piece set of Gibson Burstbucker 61 pickups. Each humbucker boasts an Alnico V magnet core that guarantees powerful and flexible, full-range sound. The Gibson Original Collection Les Paul Standard '60s comes complete with a form-fitting hardshell case.The Gibson Les Paul Standard '60s: Authentic PlayabilitySince the old score is usually the best, the mahogany neck of this Gibson LP has been given a Slim Taper profile, which couples with a rosewood fretboard with a 12 inch radius and a set of twenty-two medium jumbo frets to complete light and nimble, authentic playability all the way up the neck. Modern tweaks come in the form of a set of Grover Rotomatic machine heads finished with Kidney tuning buttons and a Graph Tech nut, polishing off progressive tuning stability, while the Gibson ABR-1 Tune-O-Matic bridge lays down some outstanding resonance and extra-long sustain.